Archive for December, 2007

State of the blog report

Ah Netscape, I knew you well.

As news of AOL pulling the plug on the Netscape browser emerges, a torrent of memories of the Web’s early days returned, prompting me to review how far I/we have come. Netscape my have lived only 13 years, but in Net time, that’s at least ten times more than cat years. When Netscape appeared 1993 I was a co-owner of a national zine distributor, Desert Moon Periodicals, in Santa Fe, NM. We had some friends who owned Santa Fe’s first ISP, Studio X. They were very enthusiastic about pioneering the Web. With them we created the first online zine distribution catalog and used the Web to promote the world of zines. Unfortunately, this was still the dark ages and not too many people were online yet, let alone even using email. Our online adventure lasted as long as those dreaded CDROM magazines.

When I left the company in 1995 a small group of friends and I set out to Webify Northern New Mexico businesses. Too bad we weren’t in California because few New Mexicans grasped the potential of cyberspace, and rather than cash in on the first tech bubble, we floundered badly. I recall going door to door in Taos with Spiros Antonopoulos (founder of souljerky.com) and Kyle Silfer (publisher of Reign of Toads) with a laptop trying to explain the Web to doe-eyed gallery owners. At the time we must have seemed like astronauts. Suffice to say, our little venture, The Reality Construction Company, flamed out pretty quickly. The most money we made was from selling our domain, spaceplace.com for a mere $1,000.

Cut to 2007 and many misadventures later. I have now been blogging for about two years, and in terms of gratification and uses of the Internet, this is the most pleasure I’ve had among the myriad of experiments I’ve participated in. The main reason is that it satisfies the communication urges that got me into DIY publishing in the first place. Ever since a group of us started the punk zine Ink Disease in Los Angeles back in 1982, the bug has never left. The debacle of zine distribution proved to me that print is no longer viable, economically at least (this should at least make trees happy). The blogosphere provides a relative cheap, rich and interactive environment that reminds me of the small community we had back in the zine world days. Still, aesthetically I favor print. I like the catharsis of cutting and gluing, and even miss the typewriter (sometimes). I’d also rather sit with a zine, its ink rubbing on my fingers, than stare at a monitor. Nonetheless, being an instantaneous pundit is great fun, and has been a terrific way to purge the evil thoughts that often cruise through my mind as I interact with the world.

In terms of Mediacology, where am I now? Since I began blogging I have had a schizophrenic relationship with the medium, very much a reflection of my own professional life. Blogdisease.com, my first blog, was a great way to unload and write in an obnoxious voice. Going over some of my earlier posts, I find myself missing that channel very much. It also enabled me to connect with some old punkers who I seem to have lost contact with as I have migrated over to Mediacology. Simultaneously I also created a more “business-like” blog, Media Mindfulness, to focus on media literacy. LIke the time when I worked for newspapers, the tone and material often felt a little forced, but increasingly I needed to write about media exclusively. It became too much to maintain two blogs, so I merged them into Mediacology.

Mediacology has become my life’s work. My book of the same title will be out in April. It’s a serious polemic against the troubled state of media literacy and I hope it will shake things up in the realm of media education. But because my interests are varied and broad, I can’t resist reverting to my inner adolescent, finding myself reverting over and over again to more obnoxious postings. Part of me wants to revive blogdisease, part of me just wants to ride out my conflicted tendencies and see what happens. The good news is that I have quadrupled my readers. But like last year when I evaluated my blog’s progress, I wish there was more dialog (i.e. comments) like there was in the early days of blogdisease. I also miss the team-like fun of the zine days. It had been my hope to find a group of bloggers to take over blogdisease, but I admit it’s hard to let the inmates take over the asylum.

Amateur blogging can make one feel a bit like a dilettante. You have to write, copyedit, think up snappy headlines, edit content and images, design and link, and handle the business side of things, all the while be “on” or inspired. It’s hard to always be brilliant, and easier to be snarky. Just to stay afloat I have had to draw on a myriad of work and life experience: newspaper journalism, punk publishing, Web design and media education. That’s a lot of eggs to juggle. The final ingredient is obsessiveness, without which the venture falls apart completely. And time. Oh, if there were only more hours in a day.

Like all bloggers, my dream is to sustain myself financially with the blog, hence my experimentation with ads. Last year I made around $10 from Amazon, and $5 from blog ads. I am now exploring google ads to see if that generates any income. I have a mostly hate relationship with ads, but the donation model so far hasn’t worked. I try to only display ads for companies that I support or like. Ultimately it comes down to numbers, though. I read somewhere that you need to have 500,000 hits a month to make any money. That seems ridiculously high. My memory must be faulty. But… if the content is worth reading, then the illusive audience will come. That’s a lot of pressure, something I’d rather not think about.

I admit that I have some professional jealousy of BoingBoing. One of its founders, Mark Frauenfelder, was a publisher we worked with closely back in the zine days when he and his wife Carla were doing the print version. Like the late-’90s when the tech bubble was so illusive to us New Mexicans, I’m wondering if being a media education pundit will ever amount to much in the blogosphere. No matter. I don’t do any of this for fame or fortune, groupies or drugs (though a free burrito here and there would be nice). I do it because, sob, sob, I care. No really. I’m not trying to be sentimental or ironic, but the truth about media– to me at least– is that people want to be loved (including bloggers) and media interplay with that primal desire to one degree or another. No one ever equates love with media, but if you look deep enough, you will see a faint heartbeat pulsing beneath the pixels we fill our minds with.

If you have read this far, then I can say that I feel proud to be one of your guides and interpreters for this ephemeral information universe. As your humble filter, during the next year I hope to be more frequent, make fewer typos and grammatical errors, and to keep building this blog so that there is a vibrant and interested community participating in the dialog. I would love to know what you like and dislike, so please use the comments area to hurl insults or praise, as you deem necessary, to help me be of better service.

Happy new year!

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Something wicked comes this way

Mickey-Attacks
I am now facing my first fatherhood crisis. No it’s not the fact that I haven’t slept more than four hours in a night in the past seven months, nor the daily grind of spit and poop. No, it came in the form of a three foot mouse named Mickey, an uninvited guest who landed in the dark night of Xmas.

Receiving a monstrous Mickey Mouse doll should be a family decision. This is not something you casually buy someone with no warning. It’s an invasion, the D-Day of consumer capitalism. A well-meaning relative believed he was doing the right think by giving our daughter this play thing, yet it’s one of a dimension that can only be deemed, uhm, American. To a seven-month-old this is not a toy, a mouse or a Disney character, but a large plush blob conglomerating abstract shapes that through training takes the form of something more recognizable in the future. I have no doubt that Mickey will now join the family and give her hours of joy. That’s why I feel guilty re-naming him Beelzebub.

Upon rolling my eyes when He arrived, my Italian partner reminded me that I already have a Ronald McDonald doll in the apartment. But he’s wearing a Mexican wrestler’s mask and a button that says “McShit.” I also pointed out that I have two Zapatista dolls as well. She wondered why I object to the innocent looking creature that takes up half our couch. I responded that he is the smiley face of Empire, a gateway drug to consumerism. Once our daughter becomes acclimated to Mickey’s likeness, then the door opens up to a host of other nefarious consumer goods, none of which I can afford, nor do I want to. But can I break her little heart by arguing that Mickey was probalby made by Chinese prison labor, or that the fire retardant material it’s made out of is comprised of neurotoxins? But alas I remember my grandmother telling me that I should finish my food because other kids in the world were starving. I always hated it when she said that. I don’t think I will impose globalization upon my daughter. Yet.
Now, I don’t intend to censor my daughter’s reality. If she wants Disney, she will have Disney, with restraint, of course. We’ll do Santa, too. I don’t intend to be an anti-capitalst scrooge, 1) because I won’t deny her the magical aspects that brought me happiness as a child, and 2) because it will make her a social outcast. I know too many hippie kids who ended up becoming stock brokers and real estate agents because their parents nursed them on wheat grass and made them toys out of roof shingles. Still, something has to be done. Ultimately I have learned that it’s better to ask questions and let the child decide what is right and wrong. This is how my grandfather approached things, even when he denied me coloring books because they controlled my creativity. I honestly don’t know how I will respond when the society will parent my child again. But rest assured, I’m making it my project to design the best mousetrap possible.
BTW, Happy Holidaze!

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The broken record (company)

First of all, OUCH! I haven’t seen MTV in years so I was a little taken aback when its news intro literally blows-up on my monitor. Talk about over-stimulation! Anyhow, the segment looks at the implosion of the record biz from a corporate perspective (geez, if they had only listened to us over the years they would not have been blind-sided). Still, I’m happy that major labels are finally biting it big time (we hope). They should get hip fast: evolve or die. And stop suing your customers! I thought PR is the one thing they could sell to artists.

FYI: Douglas Rushkoff’s take on the situation is that the record companies benefitted from a little bubble that resulted from people trading vinyl for CDs. As we move into an economy of affects (emotions, relationships, ephemerality) all they have to go on now is bad blood. Bad move.

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A life mediated

JK took a picture of himself every day for eight years. Each is a frame, so you lose half the days in the YouTube version as a result of compression. For higher quality and more documentation, visit the site demonstrating this extraordinary project.

The fine art of framing

Truth Digg has this little reminder of how photography can translate wishful thinking into the subliminal:

Huckabee-Cross

Bush-Rushmore

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Censorship double standard

Mpaa-Bad

MPAA thinks the above poster is inappropriate for all audiences because hoods are scary.
Mppa-Good

Unlike these.

Taxi to the Dark Side is a documentary, these bottom three are horror films whose graphic images are apparently agreeable to the general public, including the necons. The good news is that the documentarians got some free publicity out of this.

Think Progress » MPAA Rejects ‘Taxi To The Dark Side’ Movie Poster Because It Depicts A Hooded Detainee:

Alex Gibney’s new critically-acclaimed documentary Taxi to the Dark Side follows the path of Afghan taxi driver Dilawar, who was innocent of any terrorist ties but still “tortured to death by interrogators in the U.S. prison at Bagram Air Base.” It also examines the Bush administration’s torture practices at Guantanamo Bay and Abu Ghraib.

The Motion Picture Association of America (MPAA) has rejected Taxi’s poster, displayed to the right, as being “not suitable for all audiences.” The poster for the film simply shows two soldiers walking away from the camera, holding a hooded detainee between them.

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Against The Stream: Connecting Punk with Buddhism

I have a new article about Dharma Punx up at Reality Sandwich. I have also posted it here.

Against The Stream: Connecting Punk with Buddhism

Was Buddhism the first DIY spiritual path? According to Noah Levine, “Sid” (Siddhartha Gautama AKA Buddha) was history’s earliest punk. He went against the prevailing guruism of his day, eschewing the caste system by inviting women, criminals and the poor into the enlightenment camp. Like punk, Buddhism’s user interface is decidedly personal and open source. Akin to the proverbial Sniffin’ Glue punk dictum—”Here’s a chord, here’s another, now go start a band”—Buddha said, here’s the Dharma, now go get enlightened. Continue reading ‘Against The Stream: Connecting Punk with Buddhism’

Who owns the media?

Media-Control

Big Media is a term commonly used to describe the landscape of consolidated media companies. I object to the term because it is a case of framing gone amuck. The phrase is supposed to immediately generate an image of something big and bad– like the wolf who torments Little Red Riding Hood– but it creates a distorted and slanted concept of media. I don’t deny the facts. There are five major multinational corporations responsible for much of the media viewed, but not the majority of media produced. The difference is subtle, but important. We need to start recognizing that we as a distributed, emergent network of consciously evolving contributors to society. “Big Media” harkens to the old concept of media as a one-to-many broadcast tower that sends information down a one-way channel. This image does not take into account the many small ways that we as fully formed individuals actually respond and form our own opinions about what we consume. I don’t deny the highly distorted and manipulative concepts of the world that are delivered through corporate media, but I also find it necessary to rethink our activist strategy, which in the end can have a subtle message of disempowerment. We have to think like a swarm and not like individual victims.

With that said, however, there was a development yesterday that does not bode well for local and minority owned media. The FCC made it easier for large companies to consolidate even more. At this point it will take Congress to enact a law to regulate increased media ownership. You should most definitely take action by going here. They want 100,000 signatures and or only at 27,000 right now. Please spread the word!

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Chlorofilia uber allas

Here’s an interesting vision of how future architecture transforms society into a chlorophyl-based system. My only complaint is that in the fictional narrative (it’s presented as a documentary from the future) a single architect takes credit for the transformative idea. To me this violates the principle of social change, which is more based on emergent, distributed knowledge that is developed collectively. It’s time for people to get over the hero trope. Neo is not coming to save the world. Still, I like speculative architecture because it stimulates future research and ideas, and this is certainly an intriguing proposition.

Go to Xefirotarch to see more.

A Renaissance computer?

Rencomputer

If you haven’t read McLuhan’s The Guttenberg Galaxy, then you may get a lot out of this great video clip (click on the link below to view it) on the significance of the printing press and its relevance today as a way of explaining the explosive changes communications technology can have on a society.

A Renaissance Computer?:

The alphabet has been called the mother of all inventions. It dispensed its benefits and blessings unevenly - particularly when the entrance of the printing press industrialized its reach. This narrative around a collection of 15th century printed pages is a time stamp and reminder that information overload is nothing so new that a glance back 500 years may dimly reveal the dynamics of the digital road ahead.

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African fractals

Computers were invented in African. Really.

Thought for the day

“Social movements are humanity’s immune response to political corruption, economic disease, and ecological degradation.”

Paul Hawken

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Junk media

You can take action here.

Shooting the War

I’m a big fan of graphic novels, and this one promises to be a terrific exegesis on Iraq and the media. What follows in an excerpt from an interview with Shooting War author Anthony Lappe…

AlterNet: War on Iraq: Shooting War: The Horror of Iraq Goes Graphic [Video]:

Shooting War was in part inspired by my own reporting in Iraq for a documentary I produced for the Guerrilla News Network (with my partner Stephen Marshall) called BattleGround: 21 Days on the Empire’s Edge. We traveled across the country just as the insurgency was beginning to gain strength, trying to understand the various forces that were fueling resistance to the coalition occupation. Near the end of our trip, we found ourselves smack in the middle of the Sunni Triangle interviewing Lt. Col. Nate Sassaman; the cocky former West Point quarterback had become a legend among his men for his aggressive attitude and tactics. After vehemently denying allegations locals made to us that his unit beat up old ladies, shot pets and hauled off innocent young men in midnight raids, a frustrated Sassaman blurted out, “My life is a surreal movie. Everyday I wake up, and it’s a surreal movie.” (Sassaman later resigned in disgrace after trying to cover up the killing of an Iraqi teenager by two of his men.)

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Is that a film in your pocket, or are you just happy to see me?

The Pocket Film Festival is for videos only made with cell phones (click here for the Japanese site). I’m a big fan of utilizing the resources that you have. It’s no longer necessary to make a six digit investment in equipment when your cell phone and a Web site like Jumpcut will allow you to upload your footage and edit online. Then instant distribution. Bingo! There’s no shortage of creativity, but in the online video world there is certainly a lot of noise. I’m glad there’s a festival out there to filter some of this stuff.

PS When talking about new media, Isn’t film a misnomer at this point? And footage?

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Urban collectables

Urban-Collectables

I was trying to figure out how to justify a thread featuring Urban Collectable from chinnychinchin when I realized that with the Internet it’s possible to market anything to anybody. The model car reminds me of my first night living in Brooklyn when the local car thieves torched a vehicle in the street, which sent a shock wave through my loft’s windows. But for those of us who have spent any time in New Mexico, we would agree that burnt cars are a distinct, if not charming, part of the landscape, so much so an old friend of mine wanted to to do a pin-up girl calendar with models posing with discarded vehicles called, “Arroyo Girls.” Another friend wants to make a drive in movie theater where you can hang out in a junker and watch flicks. In any case, there is an aesthetic appeal of burned out cars. These models, the manufacturer claims, are all hand torched. A nice touch, epecially considering that each one costs $49.95. There are three models:

  • The Minivan/Insurance Scam
  • The Petrol bombed Jeep
  • The Joy ridden 2-door Hatchback

As for the political significance of these gifts, you will have to be the judge of that.

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Ghost ads

Holosonics

Hear Voices? It May Be an Ad - Advertising Age - News:

NEW YORK (AdAge.com) — New Yorker Alison Wilson was walking down Prince Street in SoHo last week when she heard a woman’s voice right in her ear asking, “Who’s there? Who’s there?” She looked around to find no one in her immediate surroundings. Then the voice said, “It’s not your imagination.”

Indeed it isn’t. It’s an ad for “Paranormal State,” a ghost-themed series premiering on A&E this week. The billboard uses technology manufactured by Holosonic that transmits an “audio spotlight” from a rooftop speaker so that the sound is contained within your cranium. The technology, ideal for museums and libraries or environments that require a quiet atmosphere for isolated audio slideshows, has rarely been used on such a scale before. For random passersby and residents who have to walk unwittingly through the area where the voice will penetrate their inner peace, it’s another story.

No Holosonics is not a company from Richard Morgan’s Altered Carbon, or plot device for a PK Dick novel. Nor is it a CIA front company (at least as far as we know). But we do know that they supply the latest and creepiest marketing technology that allows advertisers to blast audio into our innocent craniums. Is it not enough that ads are shoved in front of our eyeballs every minute? I know this technology has been justified as being great for museums, which may be true, but beaming from a billboard? This is downright unethical. As Gawker put it,:

So when they hit your head, it sounds like the call is coming from the inside the brain-house.

The billboard says 73% of Americans believe and I’m assuming that that means 73% of Americans believe in ghosts. So if that’s true, why try to convert the skeptical/not crazy 27% by beaming voices into their heads? That’s just greedy. Also it leads to a lingering sense of serious mental violation. How soon will it be until in addition to the Do Not Call list, we’ll have a Do Not Beam Commercial Messages Into My Head list?

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Hunting the cool hunters

Cool-Hunted

So you want to be a media pundit? I’ll confess my dirty little secret: I get a lot of the material for this blog from spying on the cool hunters. There are a variety of lists and Websites out there designed for marketers. These are created by so-called trend spotters, so I rely on them to tell me what is interesting to marketers. Maybe you can call it “unmarketing.” I dunno. Anyhow, I was spurned to give away my trade secret because one of the newsletters I subscribe to, The Cool Hunter, had this graphic demonstrating their campaign to place little marketing stickers on things that are deemed “cool” (click on the above image for more detail). Truth is they are just using this as a gimmick to flatter people in order to drive them to their site (after all, we all want to be cool, don’t we?). The great mystical problem of cool for marketers is that cool cannot be captured in a bottle. They know this, of course, but pretend to feign hipness anyway. But the ultimate law of cool is this: those who know don’t tell, and those who tell don’t know. Try marketing that one, my friends. And save yourself some existential grief: cool is a rat race that you will never win, so give up now before you your soul gets ground up by the newness machine.

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Megacities: development, evolution?

The above clip (which I saw over at BoingBoing (via Africa Unchained)) is an intriguing portrait of Lagos, Nigeria. It demonstrates some of the trends of expanding megacities that characterize the so-called “global south.” My main objection to the segment is the recycled and uncritical use of the term “developing world.” African critics have long contended that this term is Eurecentric because it implies that they (non-Europeanized societies) are primitive versions of the central model of civilization. Are Nigerians supposed to develop into clones of us? Should Lagos become the “London of the future?” It’s an absurd proposition because London is a wealthy city predicated on the poverty that is distributed locally and across the globe. When Nigerians in the documentary hope that Lagos will become the next London or New York, they have internalized this Eurocentric view. But it’s not surprising given the role that global media corporations play in defining the ideals of the world. Who can fault them for not wanting the privileges afforded the global elites?

I think it’s better to think of places like Lagos and Mexico City as interconnected nodes. The reality may be that Lagos is really a microcosm of the world as a result of capitalist “evolution.” I qualify the term “evolution” because we often think that to evolve means to build better and more efficient solutions, but that is not always the case. For example, we may think of Western civilization as “evolved,” but it is in fact contrived. It is the result of many deliberate and planned decisions mixed with a bit of accident and synchronicity. Throughout history human agents have made conscious decisions about how to shape or respond to their environment. Some are more successful than others. The thing about “our” civilization, that is, the one that primarily inhabits the technological bubble, is that in the end we may not be so wise. That all depends on us, of course. This is why it is better not to think of Lagos as “their” reality. We are all interconnected.

I believe the documentarians intentions were good; they wanted to showcase a situation outside many of our normal reality, but that’s the problem of creating something as difference, i.e. they are different because they are not us. Frankly, I wish Current had actually asked local filmmakers to document their own city. Why do we need a white guide to interpret the place when a local one would be a lot more insightful and also supportive of the local economy? I doubt a local filmmaker would think of their environment as “fantastic” (in the fantasy sense) or bizarre. Black magic is not bizarre, and is probably mislabeled in this segment since the magic they speak of is designed to actually pacify bad people through nonviolent means. Maybe a Nigerian should come to London or San Francisco and make a report of the “black magic” that is seen every 10 minutes on television, something we call advertising.

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FCC to investigate branded entertainment

It’s strange that the NYT took so long to cover this issue, but now that the FCC will investigate branded entertainment– which ranges from product placement to complete brand universes– it is deemed news. This story actually gives me great confidence, actually, because it is a reminder that people do in fact have the capacity to ignore ads and negotiate their reality around them. I know I’m flogging a dead horse here, but I will repeat again that media critics need to look more closely at the spaces where people resist and contest marketing, instead of just at where they are being manipulated.

So That’s Why They Drink Coke on TV - New York Times:

ADVERTISING is often like a game of cat and mouse. Consumers try as hard as they can to run away from sales pitches and commercial jingles, so marketers continually seek new ways to hunt them down.
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One of the more popular tricks — oops, I meant to say tactics — advertisers are using today is branded entertainment, which ranges from plopping a Pepsi can into a scene to writing entire television scripts based around Oreo cookies. They like this approach so much that they’re increasing the money they spend on so-called product integrations at double-digit rates, making it one of the faster growth areas for an otherwise stalled television industry.

But does product integration dupe consumers? The Federal Communications Commission is considering investigating this question, and the commissioners may add it to their public agenda as early as Tuesday.

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