You might want to take some Prozac after watching this. More on the documentary here.
I think a good dose of nature is in order.
Media Permaculture
You might want to take some Prozac after watching this. More on the documentary here.
I think a good dose of nature is in order.
Frontline has a new explosive documentary, Heat, about global warming. You can watch it online here.
A little documentary about Johannes Kreidler’s “Product Placements” performance: 72,000 samples in 33 seconds. He’s doing the artistic equivalent of a denial of service attack on Germany’s copyright agency, GEMA.
Here is a video of the performance:
I think this video does a better job of explaining the Pirate’s Dilemma than the book. The material lends itself to an audiovisual medium, and can spread more rapidly via the net. I’m for the ideas in the book, but I found it a little too superficial and lacking in some good, wholesome theory. But I’m down with the concept, so let the video proliferate and multiply!
No doubt, Godfrey Reggio’s Koyaanisqatsi wasn’t the final word on cinematography’s powerful capacity to depict the environmental consequences of our modern world. With Manufactured Landscapes comes Jennifer Baichwal’s depiction of photographer Edward Burtynsky’s stunning images of industry in China. If it’s true that what is not mediated doesn’t exist, we can say now that at least one frightening slice of the world, albeit a pretty massive slice, is here for us to behold. Blink at your own risk.
This clip is from the Candian documentary, The World According to Monsanto. Since most people in the US will likely not see this, I recommend sharing and passing along the links. This is one of the scariest companies in the world and people need to know what is happening, in particular regarding genetically engineered foods. Incidentally, if you want to read a great book that deals with GMOs and why they are so dangerous to the web of life, I highly recommend Fritjaf Capra’s Hidden Connections.
Via TreeHugger.
Looks like a great doc and book on copyright, Freedom of Expression.
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An exciting new documentary project that highlights an emergent global culture and its core values for change. You can get involved by visiting the site and sharing the video.
Looks like a very interesting doc on virtual worlds, Second Skin. I love the title. It reminds me that human cultures going back to ancient times have always donned “second skins,” literally those of animals, and more recently synthetics we call clothing. My only quibble with the trailer is that it claims that that these virtual worlds are worlds that don’t exist. I beg to differ. I think they are very real, they just occupy space differently.
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MPAA thinks the above poster is inappropriate for all audiences because hoods are scary.

Unlike these.
Taxi to the Dark Side is a documentary, these bottom three are horror films whose graphic images are apparently agreeable to the general public, including the necons. The good news is that the documentarians got some free publicity out of this.
Alex Gibney’s new critically-acclaimed documentary Taxi to the Dark Side follows the path of Afghan taxi driver Dilawar, who was innocent of any terrorist ties but still “tortured to death by interrogators in the U.S. prison at Bagram Air Base.” It also examines the Bush administration’s torture practices at Guantanamo Bay and Abu Ghraib.
The Motion Picture Association of America (MPAA) has rejected Taxi’s poster, displayed to the right, as being “not suitable for all audiences.” The poster for the film simply shows two soldiers walking away from the camera, holding a hooded detainee between them.

If you haven’t read McLuhan’s The Guttenberg Galaxy, then you may get a lot out of this great video clip (click on the link below to view it) on the significance of the printing press and its relevance today as a way of explaining the explosive changes communications technology can have on a society.
The alphabet has been called the mother of all inventions. It dispensed its benefits and blessings unevenly - particularly when the entrance of the printing press industrialized its reach. This narrative around a collection of 15th century printed pages is a time stamp and reminder that information overload is nothing so new that a glance back 500 years may dimly reveal the dynamics of the digital road ahead.
The above clip (which I saw over at BoingBoing (via Africa Unchained)) is an intriguing portrait of Lagos, Nigeria. It demonstrates some of the trends of expanding megacities that characterize the so-called “global south.” My main objection to the segment is the recycled and uncritical use of the term “developing world.” African critics have long contended that this term is Eurecentric because it implies that they (non-Europeanized societies) are primitive versions of the central model of civilization. Are Nigerians supposed to develop into clones of us? Should Lagos become the “London of the future?” It’s an absurd proposition because London is a wealthy city predicated on the poverty that is distributed locally and across the globe. When Nigerians in the documentary hope that Lagos will become the next London or New York, they have internalized this Eurocentric view. But it’s not surprising given the role that global media corporations play in defining the ideals of the world. Who can fault them for not wanting the privileges afforded the global elites?
I think it’s better to think of places like Lagos and Mexico City as interconnected nodes. The reality may be that Lagos is really a microcosm of the world as a result of capitalist “evolution.” I qualify the term “evolution” because we often think that to evolve means to build better and more efficient solutions, but that is not always the case. For example, we may think of Western civilization as “evolved,” but it is in fact contrived. It is the result of many deliberate and planned decisions mixed with a bit of accident and synchronicity. Throughout history human agents have made conscious decisions about how to shape or respond to their environment. Some are more successful than others. The thing about “our” civilization, that is, the one that primarily inhabits the technological bubble, is that in the end we may not be so wise. That all depends on us, of course. This is why it is better not to think of Lagos as “their” reality. We are all interconnected.
I believe the documentarians intentions were good; they wanted to showcase a situation outside many of our normal reality, but that’s the problem of creating something as difference, i.e. they are different because they are not us. Frankly, I wish Current had actually asked local filmmakers to document their own city. Why do we need a white guide to interpret the place when a local one would be a lot more insightful and also supportive of the local economy? I doubt a local filmmaker would think of their environment as “fantastic” (in the fantasy sense) or bizarre. Black magic is not bizarre, and is probably mislabeled in this segment since the magic they speak of is designed to actually pacify bad people through nonviolent means. Maybe a Nigerian should come to London or San Francisco and make a report of the “black magic” that is seen every 10 minutes on television, something we call advertising.
As you probably heard, Bill O’Reilly is jumping the gun this year to wage his counter-offensive in the so-called War on Christmas. Couldn’t he at least wait until after Thanksgiving? Enter the anti-Bill, Rev. Billy, the Church of Stop Shopping Gospel Choir crusader. Just in time for war, a new documentary about the Rev and his Christmas crusade, What Would Jesus Buy?, is about to make the battle really interesting. Who will win? Can xmas survive a corporate exorcism? You be the judge.
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A preview for a cool little documentary based on a great book that dissects Hollywood stereptypes of Arabs, Reel Bad Arabs. The author, Dr. Jack Shaheen, is a really nice guy. I met him at the Taos Talking Pictures Film festival and saw the talk that this film is based on. It’s powerful stuff and badly needed. Please support him and what he has to say by sharing this video.
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Heavy. Sad. Shock. But this is not the whole picture. Don’t forget the love can encompass fear, but fear does not contain love.
The Shock Doctrine Short Film | Naomi Klein:
When I finished The Shock Doctrine, I sent it to Alfonso Cuarón because I adore his films and felt that the future he created for Children of Men was very close to the present I was seeing in disaster zones. I was hoping he would send me a quote for the book jacket and instead he pulled together this amazing team of artists — including Jonás Cuarón who directed and edited — to make The Shock Doctrine short film. It was one of those blessed projects where everything felt fated.” - Naomi Klein
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