In honor of the land and those who are trying to preserve/save it from agribusiness, I’d like to give thanks to all those who treat soil, water, air and animals ethically. Along these lines, I’m posting a trailer for this nice little documentary, Land Awakening, about farmers in the Mediterranean who grow food sustainably.
“Land Awakening” is my personal journey to experience hands-on organic sustainable agriculture, turning into the discovering of alternative technologies and approaches to producing and gathering food. The experience resolves to a spiritual reflection into our deep and sacred relationship with the Land.
Inspired by his son’s voyage to learn about organic farming in Spain, Mexican-Canadian filmmaker Raúl Álvarez embarks on his own quest finding how chemical agriculture creates deserts, and Wild Nature provides far more nutritious foods when we stop controlling it.
Raúl’s odyssey expands around the Mediterranean and Canada, warmly portraying compelling characters living sustainably. He meets experts breaking paradigms and taboos on agriculture, wild plants and marketing food, making his journey deeply inspiring.
Imbued with a beautiful scenery “Land Awakening” proposes a spiritual, timely and concrete message of change in our relationship to the Land where our food comes from.
If you really want to understand how the world system works, you must understand money. The amazing documentary, Money & Life, is just the right kind of introduction to comprehend the globalization’s circulatory system. The documentary asks: can we see the economic crisis not as a disaster, but as a tremendous opportunity?
The film hits all the right notes, including using excellent biological metaphors to explain how money works, discussing money as a spiritual phenomena, showing the connection between the ideology of growth and ecological disaster, and proposing concrete alternatives. A must watch.
Well, right on cue, Gasland director Josh Fox released a new video which serves as an excellent companion to my previous post. The Sky is Pink is a condensed version of Gasland, but updated to target New York governor Andrew Coumo’s efforts to allow fracking in his state. The thing I like about this video is its effort to debunk industry criticisms of Gasland by offering a mini-lesson in media literacy (“the sky is pink” refers to the PR strategy of making false claims that are then covered by news media for the sake of being “balanced”). I think that you will agree that after watching this Tom Ridge and his industry cronies are villains in the truest sense and that independent media makers are heroes!
For more background info about this short film, click here.
All Watched Over by Machines of Loving Grace (Ep. 1): “Love and Power”
All Watched Over by Machines of Loving Grace (Ep. 2): “The Use and Abuse of Vegetational Concepts”
All Watched Over by Machines of Loving Grace (Ep. 3): “The Monkey In The Machine and the Machine in the Monkey”
I just finished watching Adam Curtis‘ epic polemic against the danger and abuse of machine metaphors in our society, “All Watched Over by Machines of Loving Grace” (all three episodes are posted above). I’ve been a fan of his quirky documentaries: “Century of the Self” and “The Power of Nightmares” are a grave attacks against the cult of marketing and mass manipulation. This current effort is more complex and nuanced. He documents the folly of different groups extrapolating computer metaphors in order to explain nature and human society. He shows the tremendous irresponsibility of Western powers who have used ecological “holism” to justify imperial ambitions, and fears that environmental movements and social media advocates run the risk of similar metaphor abuse.
Curtis attacks the idea of holism as anti-individual. I don’t think it’s fair, but because it has often been misplaced, to him any invocation of a holistic view of humans is anathema. I find the critique a little too harsh and generalized, although I appreciate some of his attacks. In particular I like his polemic against biology based on theories of the selfish gene. Curtis correctly points out it is a machine metaphor applied to cell biology. There also is a blistering attack against using computer networks to drive the global economy, which again is justified. Finally, he does a good job of showing that these ideas are often subservient to neocolonial ambitions. Fair enough.
It’s hard to tell what exactly what Curtis wants to do with this project. It seems like he is defending Enlightenment principles of the individual against emerging cultural views of interconnectivity. Curtis offers a choice of one against the other, as opposed to trying to find a balance between the two. Moreover, he critiques quite heavily the liberal project of democracy in Africa without acknowledging its roots in Enlightenment concepts of the individual.
Curtis criticizes ecological models based on systems theory as a false solution for global ecology. In response he seems to argue for political and social change–conscious human interventions to solve problems–but then criticizes the revolutions that arose in Eastern Europe because they self-organized with the aid of computers. He argues that those revolutions failed, and in fact have created situations far worse than before. There is some nostalgia, I believe, for good old fashion ideology.
Curtis’ contrarian perspective comes at an interesting time. The Arab awakening, global climate chaos and crashing economies seem to be outgrowths and responses to the Enlightenment project. Are computer networks the engine of change? Or is it that networks have been abused by old thinking and misapplied metaphors? The past colonizes the present. And designs the future.
Curtis casts a wide net, associating Ayn Rand with computer network technology, neoliberal economics, ecology, biology and colonialism. Are these interconnections real? By his own logic, is such a grand conspiracy the result of the kind systems thinking he rails against? I believe much of what Curtis offers is necessary and good for discussion. It certainly slaughters a lot of sacred cows, even though the approach is one of scorched earth. It would be interesting to see Curtis debate Yochai Benkler, who takes an opposite view of networks.
Aesthetically I like the style of his films: the odd mix of kooky ephemeral films juxtaposed to eclectic and often unusual choices in music make his rants a fun romp. One thing is for sure, these documentaries are far from boring.
A few years ago I was interviewed by Lori Ersolmaz for a documentary project about media literacy. Here is a new video,”Media is…,” that she made featuring some sound bites from our original interview. I’m honored that she considers me an “expert”! The video is a nice meditation and I hope you will take a few minutes to watch it and support Lori’s work.
“How to Sell a Banksy” looks like a fun documentary that pokes fun at the art world. From the film’s Website:
Banksy’s work now reportedly changes hands for millions.
But he puts up his street art for free. Have you ever wondered
what would happen if you got your hands on one of these?
Does it mean you’ve found a winning lottery ticket or just
scraped some worthless crap off a wall?
Going up against the Art Establishment, Critics, Auction Houses,
Gallery Owners and Authentication Boards in a quest for the
elusive meal ticket, two filmmakers unwittingly gatecrash the
murky and protective world of Banksy.
“HOW TO SELL A BANKSY” raises questions of ownership,
authentication and the true value of art itself. Through all the
chaos and incompetence comes a modern-day, true-story,