Archive for the 'Magazine' Category

Future media

Kindle

If you study the history of media, you see very quickly that they always go to war against each other. Accompanying each new media technology’s adaption curve is a decline for another. So as magazines, newspapers, radio, TV and now the Internet vie for attention, each borrows and steals from each other until, as is the case with convergence media, they start to blend together. Obviously each has its strength and weakness, and in the current battlefield, the Internet seems to be outpacing newspapers very rapidly. If you are a media manager or company owner, your motto should be adapt or die.

So what will the future of magazines be? The New York Observer ponders the question and you may be surprised by the results. I’m still pretty old school, so I happen to like holding a thing– a magazine, paper or book– and not to worry about whether or not I lose or damage it. I like rolling up a magazine and sticking it in my pocket or making coffee stained rings on the paper. At the same time, I hate paying thousands of dollars to ship my library across the ocean. If only books could pay rent!

Kindle? Well, the DRM is an issue, and honestly, I cannot think of a different way of browsing a book than running my thumb down its trimmed edge to catch a page by surprise. I also have a mania of buying my own books (as opposed to borrowing or checking them out) because I am lost if I cannot underline or scribble notes in the margin. I know Kindle allows you to highlight text and to write notes, but it looks too slow for me. However, if there is a way to copy and past the highlighted text from a Kindle book into a word processor, then that would make its features more interesting (maybe it can do that– I don’t know for sure). Then there’s the cost. Geez, I really don’t want to spend a large stash of money for something that will be outdated in a year. I’m already smarting from how rapidly my iPod has become obsolete.

Anyhow, read on. If you are a media watcher, I think you’ll like the piece.

Where Will Magazines Be Ten Years From Now? | The New York Observer:

In the next five years in Graydon Carter’s world, you’ll walk onto a plane, or a subway, or a soon-to-be-invented mode of transport, and you’ll tuck a little electronic book under your arm. Inside that little book, which will be very expensive at first but soon will cost $150, there’ll be a series of mylar “pages,” and there will be small buttons off to the side, and once you hit one of them, whoooosh, words and photos from Vanity Fair will suddenly appear.

“You’ll subscribe to five magazines and six newspapers,” Mr. Carter said. “That is what I see as the future. … That I know is coming.”

“Ultimately, there will be some sort of device!” said Peter Meirs, the vice president of production technology at Time Inc.

“In a decade time frame?” asked Chris Anderson, editor of Wired. “No. Technology adoption happens slowly. This is the editor of Wired telling you no. Obviously, newspapers are going to be changing dramatically over the next few years, but magazines are not newspapers. And I think magazines 10 years from now are going to look something like they do now.”

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Che rolls in his grave

che-magazine

As evidence that cognitive dissonance permeate our culture, look no further than this specimin of the pop culture complex.
It’s not clear why Belgian’s Che Magazine took on as it’s namesake the Argentine revolutionary, but perhaps the transformation of the South American rebel into a pop icon made him game to become a cigar smoking, beard sporting poster man for the postironic set. Che Magazine, in its ever ending quest to rid the world of feminism and all its gains, has no problem invoking the cad personality, but updates it with high tech glee. It’s a man’s world after all, when more than a one syllable name is too complicated.

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Bush’s ink blot

Bush Mosaic

A bush mosaic made of faces with photos of deceased soldiers from the Iraq debacle. If you add the images of dead of Iraqis I think they would blot out his face. You can download this image from The Nation magazine.

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On independence

The Independent was a great mag for film and media makers. It will be relaunching this Fall after a year hiatus. Media Rights interviews the publisher about changes and the state of the industry.

My only beef is that I think we need to move away from this mentality of “independence” to move towards “interdependence.” Independence is not necessarily a virtue anymore, especially considering the ramifications of individualism that runs crazy in the world these days. Moreover I think “indy media” gets too much of a free ride in terms of seeing itself as noble cause. What I mean by this is that just because something is independent it doesn’t mean that it is right, fair or free of wrong-headed assumptions. Still, I welcome the return of the magazine, which I have always enjoyed.

MediaRights: News: The Independent Relaunches This Fall:

MediaRights.org: Your website defines the “Independent” as: not dependent: as a (1): not subject to control by others (2) : not affiliated with a larger controlling unit b (1) : not requiring or relying on something else : not contingent (2) : not looking to others for one’s opinions or for guidance in conduct (3) : showing a desire for freedom

How do you see this definition as both a virtue and an obstacle in the sustainability of a 501(c)(3) publication?

Michele Meek: It’s always a balance in the real world to maintaining independence. Everyone answers to someone. For us, we answer to our subscribers, advertisers and donors. The challenge for us is to keep a balance, and make sure that our decisions are always in line with our core mission. This is such a subjective area–what one person sees as seizing an opportunity someone else sees as selling out. Even the words ‘independent film’ have come to mean something so different to everyone. To me, independent is not a film made by Miramax because they are owned by Disney. Independent is a film made by a small company or individual and is able to find its audience against the odds. If it goes to Sundance and then gets picked up for distribution by Miramax, it’s now a film with indie roots that has corporate marketing behind them. Is that still an independent film? I say yes, but someone else might disagree.

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Busting Adbusters (again)

Once again I have to say that I am sadly disappointed with Adbusters. The above ad, which recycles a Situationist slogan, is a poor substitute for organizing. I think Adbusters is becoming its own worse enemy be reducing the causes they believe in into images and slogans. It’s a bit like Public Enemy’s “Fight the Power,” a song that I love dearly, but it’s a vague slogan that reduces the cause to a crafty sound bite with little meaning. Adbusters wants you to pay to have this ad on TV as part of their so-called “meme war,” but please don’t waste your money. Running ads on television is not social change. If you want to get down and dirty, this strategy just further props up the thing they are against by throwing money at it. My belief is that running an ad like this is like throwing a glass of water into Niagara Falls. This is a kind of pseudo activism that I have seen repeated over and over again as people see themselves as heros who merely have to show people the truth to set them free. As noble as it is, I think the online comic Shooting War also repeats the same trope.

This “great adventure” substitutes ideas with images. It glorifies people fighting the police. What good does that do except generate fear, anger and hatred between people? The Situationists were engaged in in real interventions, things that involved people contacting each other in dialog in the streets. Their bodies moved through space. This ad is just empty mental space. Moreover, it is a kind of passive, armchair activism that I liken to “riot porn.” The ad “others” the rioters by reducing their cause into hollow symbolism. As memes go, where’s the beef?

I don’t want to discount Adbusters entirely, because they have inspired many people and have created many insightful projects that brought important issues to the forefront. But when I was at a conference in Seattle and complained to the magazine’s founder and publisher Kalle Lasn that the publication was no longer useful as teaching tool because of its increasingly incomprehensible avant-garde design, he said it was worth the risk of alienating people such as myself to deconstruct the idea of a magazine. OK, great within the schema of museums and art history, but totally impractical.

You can read my other critiques here and here.

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Celebrities colonize Africa

This article was sitting in my backlog, so I thought I’d shoot it out there. I had read some interesting critiques of the Vanity Fair Africa issue that confirmed my suspicion that the goodwill gesture of celebrities to highlight problems in Africa was furthering the racist construct that Africans cannot speak for themselves (Boing Boing had some great links). Additionally, there is a problem of thinking about “Africa” as one monolithic concept when in truth it is a highly diverse continent that is rich with so many different cultures and perspectives.

What Bono doesn’t say about Africa - Los Angeles Times (this may require registration to view):

JUST WHEN IT SEEMED that Western images of Africa could not get any weirder, the July 2007 special Africa issue of Vanity Fair was published, complete with a feature article on “Madonna’s Malawi.” At the same time, the memoirs of an African child soldier are on sale at your local Starbucks, and celebrity activist Bob Geldof is touring Africa yet again, followed by TV cameras, to document that “War, Famine, Plague & Death are the Four Horsemen of the Apocalypse and these days they’re riding hard through the back roads of Africa.”

It’s a dark and scary picture of a helpless, backward continent that’s being offered up to TV watchers and coffee drinkers. But in fact, the real Africa is quite a bit different. And the problem with all this Western stereotyping is that it manages to snatch defeat from the jaws of some current victories, fueling support for patronizing Western policies designed to rescue the allegedly helpless African people while often discouraging those policies that might actually help.

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Save Small and Independent Publishers

This important action from FreePress. If you live in the US, please read and follow-up.

Take Action: Save Small and Independent Publishers:

Postal regulators have accepted a proposal from media giant Time Warner that would stifle small and independent publishers in America. The plan unfairly burdens smaller publishers with higher postage rates while locking in special privileges for bigger media companies.

In establishing the U.S. postal system, the nation’s founders wanted to ensure that a diversity of viewpoints were available to “the whole mass of the people.” Time Warner’s rate increase reverses this egalitarian ideal and threatens the marketplace of ideas on which our democracy depends.

It’s time stand up for independent media. Demand that Congress step in to stop the unfair rate hikes. The deadline for comments to the Postal Service is fast approaching.

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Webatization of Time

Time-Redesign

Time Magazine is being “webatized” (my term). Check out this interesting feature from Pentagram that examines the process of its design change:

New at Pentagram: New Work: TIME Magazine:

Paula Scher, who collaborated with Hayman on the redesign prototype, explained part of the thought process behind the project. “We created a system that we thought would resonate with today’s readers. It’s full of quick bits and relevant info, but still retains the spirit of TIME. We used the display typeface Franklin Gothic that was part of the history of the magazine, and revisited the grid used by Walter Bernard,” the legendary editorial designer.

(Via Bagnews Notes)

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Analog media fights back!

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Busting Adbusters

AdbustersMy colleague over at the New Mexico Media Literacy Project, Christie McAuley, wrote the following letter to Adbusters. I think it is right on, and speaks for itself. I want to qualify this as constructive criticism. I have loved Adbusters for many years but have been somewhat disenchanted with its direction. It used to be really easy to read, but now it ventures into a very postmodern realm with its efforts to deconstruct the concept of a magazine. My suggestion: stop publishing a magazine if you don’t like the format. It has gotten so artsy, I find it incomprehensible. I also find the tone very us vs. them, which to me is a lot more tired than traditional magazine formats. I actually confronted Adbuster’s founder, Kalle Lasn, about this and he just said that it was worth the risk of alienating folks such as myself. Well, I’m not alienated, I just can’t use the magazine anymore as an effective tool for change. Anyhow, please read Christie’s letter, I think it’s great.

Hello Adbusters folks,

I am jazzed to see that you included New Mexico Media Literacy Project (NMMLP) on your “After 50 Years of Media Activism, What Will it Take to Break Through?” chart in the May/June 2006 issue. The organizations you referenced, including Adbusters, do important media work, and bring a much-needed perspective not covered in Big Media. In fact, NMMLP relies on many of the resources and insight provided by these very groups to help fulfill our mission.

However, what’s a chart without any critical analysis of its content?

In any piece of media, chart or otherwise, not all points of view can be accommodated. Editors choose to include some perspectives, while excluding others, even if they are trying to present objective and unbiased information. Thus, for every piece of media that tells a story, there are untold stories as well. Unfortunately, those untold stories often include under-represented populations like people of color, the disabled, youth, the working class, immigrants and LGBTQI communities.

While the groups mentioned in your chart do necessary and compelling work, there are other organizations that were not mentioned yet are breaking ground in terms of media analysis, production, justice and activism. I’ll list only a few (due to space and time constraints): Project Censored, Bitch Magazine, Third World Majority, Bodies of Work and Listen Up. I’m inspired to know that in the fight for better communities.Whileh stronger when we join together to know the media, change the media and be the media.

United in democracy,

Christie McAuley
Director of Curriculum Development
New Mexico Media Literacy Project

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Space cat-det

space-cadetAs a Leo and space cadet, I thought I was the planet’s biggest astro-cat, but I’m outdone once again by the wonderful folks down in Florida who have their paws on the world beat of high weirdness, Weekly World News. As the paper warns its audience, “the reader should suspend disbelief for the sake of enjoyment,” a truism embracing the “truthiness” of our age. Of course the disclaimer is just a ruse. It’s all true, man, I know it! After all, isn’t this the daily intelligence report that reaches the President’s desk with his morning Postum?

Weekly World News: “SPACE STATION INFESTED WITH MICE - NASA TO SEND UP CAT”

HOUSTON, Tex. — NASA
officials were embarrassed
this week to announce the
Space Station is infested
with mice.
Project Manager Terry
Duckworth told Weekly
World News, ‘The female
mice escaped from one of
our onboard experiments
and the male mice came up
on a Russian supply ship,
hidden in the cargo
hold. Now we have a big
predicament — what we call
UMP, or Unauthorized Mice
Pairing. You might say,
‘Houston we have a pest
problem.’ But I won’t.’
The mice have chewed
through wires and
insulation, and the patter
of their feet has disturbed
astronauts as they’ve
slept.

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