Is social media like punk?

I’ve been fortunate to have participated in two media revolutions, punk and the social Web. Nonetheless, I think comparing the two makes a false historical analogy. Essentially I believe punk was the last rebellion of the Industrial Age. I don’t mean the “last rebellion,” but it was one in which reality was substantially differentiated. Punk was at the transition from the fixed one-to-many media system to one that is networked (many-to-many). Punk was necessary and possible because it worked outside a hierarchical media system (that eventually changed once it became commodified to the point that Cher could sport fire engine red hair or a guy with a mohawk and skateboard advertised online stock trading). It built alternative cultures because no one else gave a shit (except the police, which seemed to overreact to the punk movement’s expression). It is no longer possible to distinguish yourself as an outsider according to clothes or hair style. This is why it’s now possible that high school kids in the ROTC can dress like punks. Back in the day a punk entering into a military officer training program would be impossible to conceive. Punks were about threat: looking scary, acting scary and mirroring the violence of society as a kind of mockery. It was about being a tribe clearly distinct from the bullshit hypocrisy that surrounded us (Reagan had just been elected when I got into the punk scene). People often ask me trivia questions about the ’80s, but I can never answer them because I refused to participate in the pop culture or the system of that era. I was in an alternative reality. Punks were refuseniks.

I don’t think social media can make these kinds of claims. However, don’t let me give you the impression that I think we were better. It was just a different reality with different tools– it was organic in the sense that it existed as a result of physical encounters between people (mainly at shows), that rallied around music, fashion and art. It was a gathering of the “freakatoni.” Social media certainly replaces the networking tool that we used– telephones, zines, mail art, touring– and does a better job of the kind of self-publishing we were into (especially in terms of distribution of music, words and ideas). Still, one thing I miss is the visual fingerprints you saw on everything. There was a lot of craft involved, whereas a lot of new media is far too slick and impersonal for my taste. I do like the equalizing effect of new media– but remember that it goes both ways. We have more transparency, but that makes marketing to us more accessible to corporations. It’s easier for them to target and identify us, and to design niche targeting. For instance, any “garage” band can have a MySpace page, but guess what, you voluntarily gave the richest, most powerful transnational media corporation in the world access to all your demographics and fans.

I don’t mean to be skeptical or unexcited about the potential of social media to promote protest movements– I think it’s more true in “non-Western” countries who are less bludgeoned by consumer capitalism. But I remain skeptical that what we are witnessing now is like punk.

What do you think?

(Un)tactical stencil lab

There is something ironic yet unconscious about the Tactical Stencil Lab’s attack on Marine recruiters in Brooklyn: in their noble counter-recruiting effort to challenge the Marine’s tactics, they have revealed how deft and sophisticated the military really is. In other words, the activists lost the info battle before it even started.

It’s time for old school activist tactics to change.

Having done workshops in neighborhood high schools featured in the video and also having worked in “minority” schools heavily targeted by the US military, I have observed that the military is much better at engaging the community and speaking a language it understands than many activists who come in from the outside who have no experience engaging locals. The difference is market research. The whole aesthetic of Tactical Stencil Lab comes from the avant-garde and speaks a nihilistic language that will draw no one into its movement except those who already understand their aesthetic (note the video’s dreary atonal soundtrack). In this video there is a short clip from a Marine recruitment video that speaks better the symbolism of escape and transformation that makes military recruitment successful. This doesn’t mean that activists should pander to persuasive ad techniques of the Marines, but notice the quasi-religous beauty of the ad featuring the African-American male jumping into the pool– a scene practically lifted from Nazi propagandist Leni Riefenstahl‘s Olympia.

Whereas the Marines are doing market research and engaging directly with the community they are recruiting from, I’m doubtful Tactical Stencil Lap is doing such grassroots work. Consider the dressed-up Hummer at 0:50. This demonstrate the skillful marketing techniques of the Marines that draws upon an Afro-Carbean and hip hop aesthetic that is more common in the area.

Tactical Stencil Lap would be perceived as invaders, whereas the marines are far more compelling and intriguing because they speak directly to those they want to recruit. The whole videos unconvincingly utilizes a foreign dialect lacking a local sensibility. Who is this message supposed to appeal to? If I showed this video to the students of this community it would not engage or interest them. I know because I have tried. Putting up graffiti “kill or die” on the shutter is no better than advertising, but done with lesser skill or research. Why not do it in vernacular style? If you want to uncool the Marines, at least do it in a way that a kid with no future prospects will understand.

It’s better to find ways to engage youth and to propose alternative solutions that are more attractive and viable. There are already is enough “kill” and “die” slogans filling the rhetorical atmosphere. The key that makes marketing work is that it’s an invitation. What kind of alternative activity could Tactical Stencil Lab invite local kids to do? Create art!

Carrotmob and stick

Carrotmob is a good example of the kinds of social activism enabled by Internet social networks that Clay Shirky talks about in Here Comes Everybody– a combination flash mob and consumer pressure that invites social change through positive engagement with businesses. This is a fine first step, but I hope they take it a step further than promoting energy efficency in stores by advocating for energy efficient products, i.e. locally made goods. Little markets–so-called convenient stores–are often what I consider to be like a hell-nexus: alcohol, tobacco, porn, fast food, disposable products, Coke, etc. These are the acupuncture points of empire. So I hope they keep up the pressure by encouraging the sale of sustainable products as well.

Thanks DK for the link.

A recipe for starvation

We have an oil dependent aggricultural system. If people are not able to grow their own food, then we are talking about the death of civilization, and that is no exaggeration (read Soil Not Oil by Vandana Shiva) because peak oil means the breakdown of our monocultural agricultural system. Democrat Rosa Delauro has introduced HR 875 which will severely impact independent food producers:

HR 875 mandates that anyone who produces food of any kind – meat, milk, fruit, vegetables et cetera – and transports that food for sale be subject to warrantless government inspections of their farms and food production records. These random inspections can be conducted at the whim of federal agents without regard to farmers rights or property rights. Further, the law would allow federal agents to confiscate records, product as they see fit as part of the inspection process.

Agents could also implement draconian restrictions regarding how farm animals can be fed, how fields can be managed and the end result of these restrictions could mean the end of organic, biodynamic and sustainable agriculture practices if these practices are deemed “unsafe.” Farmers refusing to comply would be subject to penalties. (From Nourishdkitchen,com)

A similar law was passed in India which made it illegal for independent farmers to process their food, thereby allowing Monsanto another tool to take over local agriculture (also in Soil Not Oil). Would it surprise you to know that Delauro is married to a Monsanto consultant? Also, did you know that six corporations control 98% of the genetically modfified organism market? Those companies are Avantis, Dow, DuPont, Mitsui, Monsanto and Syngenta (source: Fair Future).

I don’t want to sound alarmist, but this is not about safety but is about control of your food. This is a path towards future starvation. Do what ever you can do, and muster any ounce of energy you have to do something about this. For starters, go to this article for background and links to take action.

Finally, please check out Food Democracy Now! and FoodDeclaration.org

Darkness a force of good

On March 28 we can voluntarily turn off our electricity for an hour in solidarity with the Earth’s climate, but also as an excellent pause mechanism to reflect upon our energy-saturated lifestyle. Moreover, make it a party or community event. I heard that during the last blackout in NYC some said it was one of their greatest New York experiences because people went outside and chilled together. When was the last time we did that?

We did something like this in Italy a few months ago and it was the first time I played my guitar in six months. Maybe I can succeed in actually talking to my neighbors!

For more info, go here.

The first one is always free..

Upon reading Ann Elizabeth Moore‘s awesome polemic, Unmarketable, I’m tempted to create a new blog category, “clusterfrak.” This would be necessary for posts in which I feel compelled to document nefarious marketing practices that have infiltrated the counterculture, but in doing so am forced to give free publicity to the offender. What is one to do?

Moore’s book is a passionate plea for the return to integrity. As a former Punk Planet writer and most excellent journalist, Moore brings in her passion as an activist who believes strongly in community spaces free of corporate marketing. She laments (as do I) the inevitable commercialization of community spaces that she holds dearly. She decries further the willingness of scenesters to sell out their peers for a buck, noting that in her own social experiment that she was able to get zine-makers to give away all their rights to her in exchange for free candy.

Moore articulates a sound criticism of culture jamming and Adbusters, which echoes my own rants on this blog. Essentially culture jamming ends up creating more mindshare and attention for the brands they intend to criticize. Even a book like Naomi Klein’s No Logo becomes a primer for ad agencies on how to market to the anti-marketers. Talk about a clusterfrak!

I think the one unarticulated irony that results from reading Moore’s book is the fact that punk has always depended on capitalism for its existence. Just as Satanists need Christianity to define themselves, punk depends on an industrialized system to justify itself. With postmodernism that all ends because you no longer have a clear target or something to bounce off of. That is is why I always refer to punk as the last rebellion of the Industrial Age. Note, I’m not saying the “last rebellion,” just one that can claim a distinct space outside of corporate control. Clearly that is no longer the case.

Speaking of which, what initially compelled the writing of this post was another blog post about Groove Armada offering its music for free on the Web, but the catch is that you have to register into a Bacardi social network site to get your “free” stuff (BTW Mog appears to also be advertising the Bacardi ruse– actually, it’s not a ruse at all, which is even more depressing). Unlike Radiohead or Nine Inch Nails who did offer their albums for fee on their own Websites, this is clearly a Bacardi marketing ploy that surely paid Groove Armada well.

At first I felt like ignoring this, not wanting to draw attention to Bacardi who, thanks to me, has a little more free advertising. But because I find it reprehensible that musicians remain blinded to the devil’s pact they make with alcohol companies I feel the need to speak up. Considering how much alcoholism and drug abuse has ravished the music scene, I just find it unconscionable that music magazines and artists continue to support the alcohol industry.

Which leads me to the conundrum of how to draw attention to this without giving Bacardi more air time than it deserves. I suppose the only thing I can do at this point is to warn you that that the Groove Armada track really sucks. OK, I actually didn’t even listen to it, but I’m offering this preventative measure as a last ditch effort to remind you that the first one is always free…

To paraphrase former Homeland Security tzar Tome Ridge, You’ve been warned!

Berry and McKibben call for mass disobedience against coal

Update: Please visit This is Reality for more info and media links about the fallacy of clean coal.

The Understory » Breaking the Law to Bear Witness to an Evil:

There are moments in a nation’s — and a planet’s — history when it may be necessary for some to break the law in order to bear witness to an evil, bring it to wider attention, and push for its correction. We think such a time has arrived, and we are writing to say that we hope some of you will join us in Washington D.C. on Monday March 2 in order to take part in a civil act of civil disobedience outside a coal-fired power plant near Capitol Hill.

We will be there to make several points:

* Coal-fired power is driving climate change. Our foremost climatologist, NASA’s James Hansen, has demonstrated that our only hope of getting our atmosphere back to a safe level—below 350 parts per million co2—lies in stopping the use of coal to generate electricity.

* Even if climate change were not the urgent crisis that it is, we would still be burning our fossil fuels too fast, wasting too much energy and releasing too much poison into the air and water. We would still need to slow down, and to restore thrift to its old place as an economic virtue.

* Coal is filthy at its source. Much of the coal used in this country comes from West Virginia and Kentucky, where companies engage in “mountaintop removal” to get at the stuff; they leave behind a leveled wasteland, and impoverished human communities. No technology better exemplifies the out-of-control relationship between humans and the rest of creation.

* Coal smoke makes children sick. Asthma rates in urban areas near coal-fired power plants are high. Air pollution from burning coal is harmful to the health of grown-ups too, and to the health of everything that breathes, including forests.

Torturous tunes

Video from Lost’s torture Room 23

Back in the day (yeah, I’m starting to sound old), punk co-mingled with Industrial music. If you are not familiar with that genre, imagine the sound of screeching and grinding machines blasted through broken guitar amps, and you have an approximation. However, Industrial music was often more sophisticated, and wasn’t just wall of noise, ear-bleeding self-induced torture. Artists (yes, the term is appropriate) used tape loops, industrial power tools, radios, TVs and invented their own instruments to often create dreamy soundscapes that were like film soundtracks for civilization on autodestruct. Germany’s Einstürzende Neubauten were probably the masters (but with a hat tip to Throbbing Gristle and later Psychic TV), with Blixa Bargeld setting fire to performance venues whenever possible.

I recall a Sonic Youth gig in LA (circa 1984/85) in an old brick sewing factory which featured the band Debt of Nature, who pushed Black Flag’s PA system to the edge of a wormhole. Debt of Nature’s guitarist, who had gouged out his guitar neck in-between frets like a sitar, produced such a low frequency that it made my body pulsate, so much so I thought my organs were going to burst. I feared the whole building would collapse. Those lowriders with their subwoofers had nothing on these guys.

Anyhow, here is the ironic part. For whatever reason (I’m still trying to sort this one out), we voluntarily exposed ourselves to blistering noise, and loved it. I speculate that it was a way of harmonizing with the electrical grid, or just tuning into the world’s angst and making a jam out of it. Sadly, this is not what the American torturers had in mind when later on they began using loud music as a technique for breaking prisoners. The first I heard of this was during the U.S. invasion of Panama. I recall all kinds of music–including Tibetan chants– were blasted at Noriega to flush him out of his stronghold. Now it has come to light that during the past 8 years (probably more), an assortment of pop music was also used to destroy the minds of prisoners.

It’s tempting to make a joke out of the fact that Sesame Street and pop culture icon Christina Aguilera were used to torture people, but this is not something we can just sweep under the rug of postirony hoo-ha and chalk it up to the misguided experiments devised during the Age of Meaninglessness. What is even more shocking is that humanitarians such as Rage Against the Machine and Nine Inch Nails were also used to destroy people’s minds. It’s one thing for a bunch of stoned skateboarding teenagers to stick their heads in front of guitar amps turned up to 12 and call it fun, but when the government does in a cell in which a person has no means to escape, it is so incomprehensible that it makes my ears bleed thinking that someone actually thought this was a sensible idea.

Donald Rumsfeld, you are no punk rocker. I hope you rot in a cell someday while forced to listen to “Free Bird” on infinite loop.

Further links:

A History of Music Torture in the “War on Terror”

Reprieve

Musicians don’t want tunes used for torture

Is it guerrilla gardening or guerilla marketing?

File this one under WTF. Adidas finds a safe rebellion to latch onto to give it some street cred by creating a little action movie about rebel gardeners with GPS, night vision and an assortment of other TV crime show devices. Notice the quasi-’70s-era bongo suspense music. Thing is, gardens take nurturing, building and developing their niches, in other words, an ecological context. Additionally, what about starting a *community* garden? In this case I at least hope once they plant these beautiful set pieces that someone will water them!

Sadly, as much as I think guerrilla gardening is a cool action worth promoting, the ad is so trite and contrived I think most that would potentially be inspired by the idea will see through Adidas’ ploy as yet another tactic to equate fashion with revolution. Rather than pass itself off as a device for urban rebellion, just sell the damn product for what it is: a shoe! And stop pretending your dumb-ass sneakers are a tool for social transformation.
Still in case you are enthused, here’s a link to a nonpartison group, Guerilla Gardening, which may inspire you to do your own action (with or without corporate sponsorship).

And not to disappoint, there are a number of DIY books on how to start your own urban (gardening) revolution:


“On Guerrilla Gardening: A Handbook for Gardening Without Boundaries” (Richard Reynolds)


“Guerrilla Gardening: A Manualfesto” (David Tracey)


“Guerrilla Gardening: How to Create Gorgeous Gardens for Free” (Barbara Pallenberg)

Environmental activism as media criticism

Greenpeace is both marketer of ideas and media critic. The above video is a recent attack on Dove, parodying its “Onslaught” campaign to criticize Dove’s use of palm oil because it destroys rain forests. The Greenpeace version is pretty intense, although a bit manipulative. What do you think?

Now Greenpeace has a “StopGreenwashing” site that allows users to submit examples of “greenwash”– “Used to describe the act of misleading consumers regarding the environmental practices of a company or the environmental benefits of a product or service.” I applaud their effort but have a small (constructive) criticism of the project. You are asked to vote on greenwash videos, but there is no context given. You are supposed to automatically understand why the commercial is bad. Furthermore, the site offers no tools for reading ads. I hope that in the future Greenpeace will make the effort to incorporate media literacy tools into the site.

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The $100 laptop: a field report

Xo-1
Rising Voices published a report on successes and challenges of the OLPC XO-1, AKA the $100 Laptop. This comes from a sixth grade class blog in Uruguay.

Bloggers Desde La Infancia » Blog Archive » Analyzing the use of laptops in the first month of class:

Use of Laptop:

Weaknesses:

They freeze up and it is slow to fix them
I lose my work every time they freeze up
They are very slow
The keyboards have different layouts
The battery life finishes quickly
It continuously disconnects from the internet and I lose the connection to the web page I am reading
You can only connect at school because the wi-fi antennas don’t have much range
It lacks a Flash plug-in and so there are websites and activities that we can not see
We can not upload images to make slideshows.
It takes a long time to load images.
We are not able to see the videos on the Internet
We lose the desire to work
I see warnings online that say “these seem to take longer than usual,” which doesn’t allow us to work continuously.
We are losing a lot of time in class because of the delay.

Strengths:

Free access to the internet
We can write, take pictures, record audio, film, paint, and edit images.
The text and images from the web can copied and pasted in some cases
Easy to carry.
We can work collaboratively.

Open source art

Cans-Festival

Image from Romanyg’s photostream

Banksy helped organize the Cans Festival, an open source stencil art event that anyone can join. The AP has more.

Here is a link to Cans Festival photostream.

RULES OF ENGAGEMENT*

This is an open event and coming with your own stencil is positively encouraged but please observe the following

- This is a stencil only event no freehand lettering or characters
- Report to reception on arrival and they’ll show you where to paint
- No going over other artists

* Painting outside the designated area may well result in prosecution.

Update:

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Media’s environmental “brain print”

Arcimboldovertemnus
Image by Giuseppe Arcimboldo

I just discovered two interesting reports on media and sustainability produced by SustainAbility and WWF-UK, Through the Looking Glass and Good News & Bad. These PDFs are linked on their Media Spotlight page. You have to register to download them (it’s free).

Spotlight on the Media:

Film, music, news, documentaries, soaps all have an enormous impact on modern society – what we read, hear, watch, believe and feel, some talke in terms of the media’s ‘brainprint’. Media and Entertainment companies powerfully influence how people and politicians relate to corporate responsibility and sustainable development. How could they be accountable for this profound impact on society?

Through the Looking Glass, produced in partnership with WWF-UK, takes a look at how a select group of M&E companies measure up in their efforts to be accountable for their influence on society.

Good News & Bad takes a look at the role of media in building the corporate responsibility agenda for business as well as how corporate responsibility, climate change, ozone depletion, endocrine disrupters, GM foods and socially responsible investment are perceived, prioritised and covered by the media.