Archive for the 'New Media' Category

The “stupid” argument, again

Is Google Making Us Stupid?:

For me, as for others, the Net is becoming a universal medium, the conduit for most of the information that flows through my eyes and ears and into my mind. The advantages of having immediate access to such an incredibly rich store of information are many, and they’ve been widely described and duly applauded. “The perfect recall of silicon memory,” Wired’s Clive Thompson has written, “can be an enormous boon to thinking.” But that boon comes at a price. As the media theorist Marshall McLuhan pointed out in the 1960s, media are not just passive channels of information. They supply the stuff of thought, but they also shape the process of thought. And what the Net seems to be doing is chipping away my capacity for concentration and contemplation. My mind now expects to take in information the way the Net distributes it: in a swiftly moving stream of particles. Once I was a scuba diver in the sea of words. Now I zip along the surface like a guy on a Jet Ski.

Such is the lament of the bookish mind as it faces annihilation from the Internet.

Restating my mantra, media constantly go to war with other. They constantly compete for the center of attention by moving in and out of the periphery to the center and back again as new technology changes how we consume and share information. Often the winner incorporates/repurposes/remediates elements of the old into the new (the Internet, for example, uses text, and newspapers use more images, color and article summaries for Web influenced info snackers).

So as the Internet is pushing books to the edge of the mediacological ecosystem, book people are fighting back. The most prominent pugilist recently entering the fray is The Atlantic’s Nicholas Carr, whose article, Is Google Making Us Stupid?, revises the persistent argument that new digital media are dumbing us down. The thing I don’t like about this argument is that it assumes there are good kinds of aptitude and bad kinds, the classic-book-deep-thinking being a good kind of intelligence, and the being-in-the-moment of net surfing is bad. We need both.

Carr’s article is actually quite good and outlines how knowledge work is an extensions of Taylorism and the systematizing of work and thinking. Where I fault the piece is how it focuses too much on loss, and not enough on gain. Some of the major benefits of the information economy, which MIT new media guru Henry Jenkins refers to as Convergence Culture, are described by the following characteristics (BTW, I go into this in more detail in my book, Mediacology, ch. 8, “Media Lit’s Mediacological Niche”):

  • collective intelligence,
  • affective economics,
  • transmedia storytelling, and
  • participatory culture.

Consequently, Jenkins believes that in order to be fully engaged participants of convergence culture, students (and teachers) need to develop skills that allow for

the ability to pool knowledge with others in a collaborative enterprise (as in Survivor spoiling), the ability to share and compare value systems by evaluating ethical dramas (as occurs in the gossip surrounding reality television), the ability to make connections across scattered pieces of information (as occurs when we consume The Matrix, 1999, or Pokemon, 1998), the ability to express your interpretations and feelings toward popular fictions through your own folk culture (as occurs in Star Wars fan cinema), and the ability to circulate what you create via the Internet so that it can be shared with others (again as in fan cinema) (p. 176).

There is nothing stupid about these kinds of skills. Thus, I think the argument that the Internet makes one more shallow often ignores the other aspects of emerging cultural practices that are greatly needed and are deep in their own way. In particular, I find these latter skills necessary to develop strategies for sustainability, just as much as those cultivated by the isolated mind of the solitary book reader.

Still, I have to admit. I was depressed after reading the article because I felt that there really is too much to do, read, search, and write. The Internet compounds that. Upon reflection I thought some meditation would do the trick, because what I really needed was to clear my mind of books and the Internet. As Skype tells us, just breath.

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McLuhan 2.0

Mcluhan-Mac

Dig the graphic!

Eric McLuhan, son of the late great Marshall, updates the master.

NowPublic @ Vidfest 2008: Dr. Eric McLuhan, Interviewed by Michael Tippett | The News is NowPublic.com:

11:40am - Tippett: It would be helpful for you to explain the concept of the “Global Village”?

McLuhan: It’s an uncomfortable place; everyone knows everything about you. You’re always in close contact and proximity to other people. The term was coined to describe the effects of radio. But we’re living in a new one, or a new part of the village. When you put people in contact virtually, electronically, you create the conditions of a village. The bodies being dissociated is almost irrelevant.

Television and satellite have turned the world into a global stage. Now everyone is looking not for jobs, but for roles to play. This brings in the idea of constructing an identity in relationship to an audience. This means the idea of private identity is no longer useful.

***

11:35am - Tippett: Attention is an important issue in contemporary media. My question to you is, as the holders of attention, are we the last great resource holders to be harvested?

McLuhan: News-savvy people are paying attention to harvesting inattention. There are massive amounts of inattention. Advertisers no longer compete for your attention, they compete for your subconscious — a place where you have no defenses. It is by definition an area of vulnerability.

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Book is true enough

200806011009

“True Enough: Learning to Live in a Post-Fact Society” (Farhad Manjoo)

I just finished True Enough, which challenges the conventional thinking that new media democratize information and will lead to greater vetting and truth. On the contrary, the author argues that new media encourage the retreat into reality tunnels. The greatest benefit of the book is a detailed analysis of the psychological factors that go into propaganda. It explains why “Swift Boating” works. Manjoo– a Salon.com columnist whose platform is the Web– makes an insightful and correct analysis, but I’m also wondering if there is also a nostalgia for solidity, to the days when there were less media, and diminished freedom of expression due to the top-down model of the one-to-many media structure of old. I think the warnings he makes about our tendency to regress into info tribes should be headed. Does he want to a return to the Jeffersonian ideal of educated elites, or a newspaper saturated public sphere? The solution, I think, is rather old, which is to rely on the Buddhist concept of mindfulness, which is to not hold onto some notion of mediated truth, but to surf it as an engaged, mindful observer.

For more insight follow the debate about the book’s conclusions between Manjoo and Steven Johnson, author of Emergence.

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Backpack radio and wireless

Will new media compost traditional capitalism? What follows is an interesting case study of independent microradio and wireless technology in Nepal.

What McLuhan Could not Foresee » P2P Foundation:

While much smaller in size and economic power, other developing countries also have novel approaches, which are of the greatest significance. Nepal is a case in point. Electricity and Internet are slowly spreading throughout its valleys. In Nepal, entire, remote valleys are now being connected by WiFi. Mahabir Pun has won the Magasesy Award for these pioneering efforts. Very simply, Nepal, in a far more demanding geography, is achieving what Silicon Valley has thus far failed to achieve. Nepal’s sherpas are famous for their Dokos (backpacks), which can carry the loads of mountain climbers, trekkers and tourists. Elsewhere in the world, there are trends towards mobile phones and mobile Internet. In Nepal, the Antenna Foundation is working on mobile radio stations. They call it Doko Radio. The idea is deceptively simple. Today the minimal equipment for radio production is a portable computer, microphones for recording and software for basic editing. Hence, what once required complex equipment in radio studios and radio stations in major stations, can now effectively fit into a backpack as a portable Doko Radio. As a result persons in remote villages can now record their stories, music and other content, that can subsequently be broadcast via other community radio stations. Culturally this is very important. UNESCO’s goal to record, preserve and foster intangible culture now has an unexpected ally.
Continue reading ‘Backpack radio and wireless’

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Growing up online

You can watch it for free on Frontline’s Website here.

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The flaneur’s coda

Vcast
Charles Baudelairer’s character of the flaneur has been celebrated and vastly discussed as the archetype of Modern Media Man: he grazes the sights and sounds of the new urbanity, a casual consumer of the senses. He is somewhat disengaged, his focus meanders and samples. As a “Bourgeois dilettante,” he’s a no where man. While the flaneur has come to symbolize the rise of media in the 19th century, I also see him reasserting himself in today’s ads, mostly in the guise of the 20-something tech economy knowledge worker. Usually he drives a (new) car, letting his electronics extend his senses for him while he consumes the landscape like any other media experience. So rather than a pedestrian wandering the city, the new flaneur is guided by GPS and a smart phone that makes his appointments (he may even have an outsourced personal assistant in India handling ticket reservations and other mundane activities for him). So rather than roam the sensations, his technological devices browse for him.

The Verizon VCast ad featuring Led Zeppelin (screen grab above, link below) brings the flaneur back to the street, but this time he wanders a hybrid reality of magical dimensions. The music is not only a soundtrack but describes every scene change he encounters. Meanwhile Led Zep memorabilia and clues are planted through out his sojourn connecting the physicality with his media space, giving “Physical Graffiti” a literal existence. He no longer meanders the city but a videogame. The outside is in, the inside is out.

I have to admit that this character makes me really mad. He’s young, good looking, self-assured, disengaged, clueless and apparently rich enough to live in Manhattan. He doesn’t really give a crap about Led Zeppelin because if he did he’d be banging his head to John Bonham’s beats. He’s so self-absosorbed he’s probably thinking about how his $60 American Apparel T-shirt will get him laid. Led Zep belongs to the throngs of insecure, sexually dysfunctional, pimple-faced youth. This is spin the bottle make-out music, not Bourgeois dilettante, phone status, ring-tone accessory bullshit. Sheesh. This cheap commercialization is far too casual for me to bear.

Video link.

(Article link (you may have to register to view it).

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First person shooter

Still, there is something predatory in the act of taking a picture. To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them they can never have; it turns people into objects that can be symbolically possessed. Just as the camera is a sublimation of the gun, to photograph someone is a sublimated murder - a soft murder, appropriate to a sad, frightened time.

Susan Sontag, On Photography

Wi-Fi Army can be viewed here.

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The ancient future online

Internet before the Internet: Paul Otlet’s early vision of future communications.

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The Internet is speaking glossolalia

Is the video Web becoming technological glossolalia? It seems like most new ventures these days are speaking in tongues. Hulu, Bebo, Vuguru, Miro– you’d think the Internet was becoming a tiki bar drink menu. I don’t have a point in particular, but I’m just curious about the spate of nonsense words being used for viral video startups.

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Make art not content

When I was a freelance journalist many years ago I remember there was a small but significant change in new contracts: I was no longer a “writer” but a “content provider.” This was in lieu of the coming shift in which what ever you wrote for newspapers was to be resold by the parent company across all platforms, and since we were “work for hire” we would never see another lousy dime. So this has nothing to do with the above video, but the title of the talk reminded me of the good ol’ days of journalistic exploitation and the silly notion that our meaningful work was merely “content.”

This by talk, Scotto Moore’s “Make Art Not Content,” is part of a series, Ignite Seattle!, in which speakers each do a geek talk with 20
slides, 15 seconds per slide, for a total of 5 minutes. There’s a bunch of them on YouTube.

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Got mail

This is a clever piece of user generated PR by Google who asked users to submit videos on how Gmail travels around the world. The compilation is a nice summary of the positive aspects of media, which at the core is to communicate (I could do without the soundtrack, though). I think media critics focus too much on corporate media and forget what us little guys are actually doing with it.

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OldTube in new media bottles

Colorbars

As the article below indicates, there is extensive hype about NewTube (a placeholder name until NBC Universal and News Corp. come up with a brand identity), which is essentially the big media response to YouTube. Although considering that google now owns YouTube, it’s getting harder to view Internet behemoths as the “little guy” anymore. But I think there is something missing in the discussion about the looming battle of on-line media networks. The essential difference (to me) is that NewTube will not allow users to upload media. So whereas YouTube has spontaneously self-organzied into a “people’s archive,” NewTube is just going to be a venue for corporate media that pays lip service to consumer democracy through its remixing feature. No doubt there will be stuff that people will want (or think they will want due to extensive marketing bombardment that is surely in the works).

I’m not surprised that “traditional media” responds favorably to NewTube, because it fits the paradigm of top-down content generation. I think some old media companies will adopt more citizen journalism and locally produced content as new media practices seems to favor, but if NewTube is any indication, it’s more an example of OldTube put into new media bottles.

NewTube Is Just The Beginning:

For media geeks, NewTube (its executives, unsurprisingly, prefer the clunkier handles NewCo or NewSite) is big news. But the venture, expected to launch this summer, is merely one of myriad developments that will remake the world of Web video in the next few months. Google (GOOG ) is expected to begin rolling out advertising systems for YouTube this summer. This spring, News Corp.’s MySpace will formally push into YouTube’s video-sharing turf, launching an offering that insiders currently call MySpace TV. And top executives at Time Warner suddenly sound confident that a mutual technical solution to copyright issues with YouTube—the subject of a lawsuit Viacom (VIA ) filed in mid-March—is close enough to make likely a content-licensing deal. (Spokespersons for YouTube and other companies declined to discuss potential deals or negotiations.) Mingling within these overlapping layers of competition and cooperation is the suddenly less remote prospect of making some actual money.

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We Feel… madness… love

We-Feel-Madness

This is an amazing tool that “feels” the blogosphere’s emotions. Go to the site and click on “Open We Feel Fine” and see what happens. It’s quite an amazing voyeuristic view into the netropolis’ networked feelings, kinda like Vim Winders’ angels hearing everyone’s thoughts in Wings of Desire.

We Feel Fine / Movements:

Madness, the first movement, opens with a wildly swarming mass of around 1,500 particles, emanating from the center of the screen and then careening outwards, bouncing off walls and reacting to the behavior of the mouse. Each particle represents a single feeling, posted by a single individual. The color of each particle corresponds to the tone of the feeling inside – happy positive feelings are bright yellow, sad negative feelings are dark blue, angry feelings are bright red, calm feelings are pale green, and so on. The size of each particle represents the length of the sentence contained within. Circular particles are sentences. Rectangular particles contain pictures.

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Media snack

Update:


This is where William Burroughs comes in with his Naked Lunch. When we
invent new technology, we become cannibals. We eat ourselves alive since
these technologies are merely extensions of ourselves. The new environment
shaped by electric technology is a cannibalistic one that eats people. To
survive one must study the habits of cannibals”

- McLuhan, “The Hot and Cool
Interview,” 67.

Snack-Attack

Wired’s latest issue focuses on the current cultural trend to snack on bite-sized media. McLuhan noted long ago that the new media environment would make us return to a hunter gatherer’s mentality. Are we now grazing media as if we were gathering digital blackberries in an electronic forest?

Wired 15.03: Minifesto for a New Age:

Replace Nabisco with Apple, the Mini Oreo with the iPod nano, and youve got a blueprint for the current boom in what might be called snack-o-tainment. Apples single-minded marketing campaign for the iPod (its tunes - not albums - in your pocket, after all) taught us the joy of picking the choicest cuts and shuffling them into individual hit pdes. The same with television: When the video iPod launched in October 2005, we were suddenly eager to pay $1.99 to watch a music video or a recent episode of Lost in a smaller, portable version of what was already available for free on that big square thing in our living room.

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Text vs. hypertext

Hey, nice handwriting! This video is in response to “The Machine is Us/ing Us,” which I posted about here (if you haven’t seen it, you really must!).

The text in the video reads as folllows:

Media philosopher Marshall McLuhan observed that “The Medium is the Message”. That is, the form of media is what changes consciousness irrespective of the content of that media.

Michael Wesch speculates that the accessibility of the internet both to add and receive content is leading to a massive paradigm shift in human thought and society.

However…

The internet still follows the fundamental form of the written word and the motion picture: non-participatory reception of information.

The exact interface of scripting language is irrelevant… The internet is essentially a series of Guttenberg presses and Edison kinetoscopes connected by telegraph wire.

The accessibility of these devices to add content had only changed the scope of the content, not the basic form. Regardless of who made it, I’m still reading text and watching movies.

A semi-global library is a remarkable acchievement (Remember that most people in the world still don’t have net access).

But the real acchievement of the internet has been to SIMULATE participation. It has made non-participatory addition of responsive content more rapid… even instantaneous.

E-mail or a chat room, for instance, has infinitely sped up communication across distances… But it is still not a fully sensory, participatory conversation, and we’ve had to find ways to compensate for that…

:)

This trajectory will eventually lead to virtual reality… Increasingly sophisticated pseudo-sensory simulations of the full sensory, participatory reality of which we are a part.

This is a movement towards making the non -participatory form imitate the participatory reality.

We’re trying to makle the printed word imitate what we already experience every day…

The natural interaction between us and the world.

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Greatest generation gap since rock and roll?

Students

Yet again the new cultural practices of kids are getting demonized by left and right. Geeze, adults can be so lame sometimes. One article in particularly really got under my skin, “Mirror, Mirror on the Web” by Lakshmi Chaudhry. She thinks kids are too narcissistic. This is how I responded in my letter to The Nation:

While it’s easy to appreciate the sentiment of Lakshmi Chaudhry’s article, “Mirror, Mirror on the Web”– that the tendencies of our young narcissists are exacerbated by new media– I wonder if this article really serves any purpose other than to gratify a sense of superiority over pop culture that is so common in the Left. No doubt the human tendency to show off is enhanced by the number of outlets available to create opportunities for bloated egos to wend their way to audiences though the Web 2.0, but to paint such a picture only tells one part of the story and unfortunately promotes a subtext that is shocking to see in The Nation: the demonic matrix of youth and media strike once again! These are the same tropes you’ll see cycled repeatedly through the conservative press, and it is one of the many curious commonalities that Left and Right share these days.

As a youth media educator who has worked with thousands of kids across the United States, I have found maybe 5% fitting the description of the raving narcissists described in the story. I found it particularly troubling this notion that feel-good messages from the ’70s are the culprit. Many kids of color I work come from broken homes and could use TLC to build self-esteem. The anger towards this parenting approach is unfathomable to me.

The underlying motive of all children (adults too!) is to connect with others and to be loved. Media education programs help build esteem because they enable kids who normally have few venues for expression to have a voice and learn the tools of a system that is so regularly derided on these pages. This has great benefit to the society. Sure some kids want be famous. Don’t we all? This is America, darn it! (After all why do we write and produce media anyway?)

And I thought their war mongering parents were bad! Anyhow, there is actually a more balanced view over at New York Magazine, a choice observation (below) comes from video game theorist, Clay Shirky:

Kids, the Internet, and the End of Privacy: The Greatest Generation Gap Since Rock and Roll — New York Magazine:

Shirky describes this generational shift in terms of pidgin versus Creole. “Do you know that distinction? Pidgin is what gets spoken when people patch things together from different languages, so it serves well enough to communicate. But Creole is what the children speak, the children of pidgin speakers. They impose rules and structure, which makes the Creole language completely coherent and expressive, on par with any language. What we are witnessing is the Creolization of media.”

That’s a cool metaphor, I respond. “I actually don’t think it’s a metaphor,” he says. “I think there may actually be real neurological changes involved.”

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