The first rule for reading propaganda is to assume that whatever the propagandist says is the opposite of reality. So if Ronald Reagan pontificates that America is a beacon of freedom for the world, what he really means is that he is selling arms to Iran’s Mullahs and Saddam Hussein, and is training the future leaders of Al Qaida in Afghanistan. Likewise, when controversial Tea Partier Christine O’Donnell says in the above ad that she is not a witch, she is actually practicing black magic. Not to denigrate the honorable profession of witchcraft, but we have to deal with the phrase on her terms, which means the cartoony, TV babe version that completely misrepresents the arts, turning it into a tool of manipulation and control of the pettiest kind. What O’Donnell may not be aware of is the prime directive of the arts: what goes around comes around. Be careful of the kinds of spells you cast.
I don’t know O’Donnell, but judging from the various video clips that have surfaced from her past, she strikes me as a true believer that will dabble in just about anything, the kind of turncoat cultist that can easily switch from Krishna to Christianity. Don’t be alarmed if at some point she calls herself a Marxist. Unfortunately, it would be too simple to dismiss this campaign as the kind of conjuring practiced by shopping mall goths. There is too much big business at stake.
What inspires today’s blog screed is the slick salvage job the Republicans are making to shore up their million dollar electoral investment, one that will pay big time dividends to the uber-rich if the Republicans re-take control of the Senate (and can further delay climate change action). Is rehabilitating a religious fanatic as simple as donning some pearls and conservative black business suite while delivering an anti-corruption pitch layered with a bit of Holiday Inn lounge music? What about declaring with the best coached smile and earnestness money can buy that, “I’m nothing you heard, I’m you”? Here she deploys the Charlie Brown theory of cartoon psychology in which you draw something with as little detail as possible so as to make it easier for people to project their own fantasies.
I don’t know anyone in Delaware, so I honestly don’t know how on target O’Donnell is when she declares, “I am you.” If this is the case, maybe this is more the desperate cry of someone who will do and say anything to be popular. That is certainly the case with most Republican politics.







14
Sep 10
Dis-illusioned Beck
Girolamo Savonarola: Beck’s Old World counterpart (Image source: Wikicommons)
Without intending to do so, this is my belated response to the 9/11 anniversary. Even though what follows doesn’t address the event explicitly, no doubt it is the background of the current rise in rightwing fanaticism. Anyhow…
Alternet has a great thought piece about the Glenn Beck phenomena. In particular the author does an excellent job of comparing Beck’s popularity with the shenanigans of the film Network‘s Howard Beale (based on Beck’s own claim that his role model is indeed Beale). Granted, I’m far more sympathetic to Beale’s character than I am with Beck. But the parallels between Network‘s uncanny prediction of the future of news (it was made in 1976), in particular its prescient vision of what would become Fox News, makes the comparison necessary and appropriate. It has certainly become on odd time when the fake news is real (Daily Show, Colbert Report) and the real news is fake (Fox and other cable news).
Admittedly, it has been hard for me to grasp how a completely nonsensical character like Beck could come across to his fans as a serious journalist. In a way, he’s a perfect empty signifier for television. He can use the professorial signs of serious research through his deployment of a blackboard and sophisticated-looking diagrams, and he commands all the tricks that TV offers as a medium of emotional engagement. Whereas in the past you’d find such rants in conspiracy laden books, like Gary Allen’s None Dare Call It Conspiracy, or on radio (which remains a popular medium for right wing anger), TV is a “cool” medium (to put it in McLuhan’s terms) that engages more senses and therefor has a far more powerful effect. What Fox is doing is mainstreaming John Birch Society antics for its own cynical business interests, but might find itself in trouble when their clown-lead movement takes over government and starts outlawing the kind of liberal lifestyle enjoyed by the rich New Yorkers who staff and operate conservative corporate media. For a hint of what this kind of world might look like, I suggest reading Margaret Atwood’s The Handmaid’s Tale.
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