Archive for the 'War' Category
You have to admit, as propanda goes, these are absolutely brilliant. At least your tax dollars are finally paying for something that works. Enter the Air Force’s current “a changing world” campaign. It is so rich with paradigm it’s hard to summarize in a short paragraph what they are putting forth. Suffice to say they are still thinking in terms of visualizing grid space (see it, identify it, destroy it, solve problem), which is a linear control model. Their slogan, “It takes air dominance to defend American in a changing world,” made me think about air from a elemental standpoint: mind, mental, airy, not the body.
Anyhow, have a look:
God’s angels? Interesting how the Air Force portrays itself as a kind of protective shield, but as the article below suggests, most future weapons systems are actually offensive in nature.
UPDATE: An astute reader has corrected me to point out that the video is for the Singapore Air Force. Goes to show the danger of being too shrill! But… it is interesting how moving image media have become such an international language. I suppose this message could also be targeted to international business travelers to assure them not to worry about Singapore (unlike other places in the world!).
According to Wired’s Danger Room, this scenario is sci-fi fantassy.
CyberCommand? Sounds like a saturday morning kid’s show. Given the military’s track record, they seem more interested in domestic dissenters engaging in their Constitutional right to be critical than real military threats. So I wonder if our friends at CyberCommand they reading posts like this, or those that actually pose a real threat? Again, the trope is technology is the solution for peace.
Do domination and freedom belong in the same sentence?
The snip that follows is from a great, detailed deconstruction of this ad campaign by an Air Force veteran. Click the article link below to read the full analysis.
Tomgram: William Astore, Coming Down to Earth:
Our capability to deliver damage and death across the globe — at virtually no immediate risk to ourselves — gives extra meaning to the words “above all.” But with great power comes great responsibility, a tagline I learned as a teen from Spider-Man comic strips, but which is no less true for that. The problem is that our “global reach” often exceeds the grasp of our collective wisdom to employ “global power” responsibly.
Listen to the Air Force’s own pitch for its “global reach” and “global power,” and you know that today’s service is indeed an imperial instrument focused on “power projection” and “dominance” (with nary a thought of how others may respond to being dominated). Worse yet, our “capabilities” have so detached us from delivering death that it’s become remarkably close to a video-game-like exercise.
“The Complex: How the Military Invades Our Everyday Lives” (Nick Turse)
From TomDispatch.com:
Here is the new, hip, high-tech military-industrial complex — an omnipresent, hidden-in-plain-sight system of systems that penetrates all our lives. Mapping out what should more properly be called the Military - Industrial - Technological - Entertainment - Scientific - Media - Intelligence - Corporate Complex, historian Nick Turse demonstrates just how extensively the Pentagon, through its little-noticed contacts (and contracts) with America’s major corporations, has taken hold of the nation.
Of all the nefarious propaganda strategies, the one that irks me the most is the use and abuse of war veterans to justify war. I’m not just talking about the “support our troops” hammer used to pound peace activists, but the parade of retired generals and so-called experts who come on television to legitimate violence. An explosive article NY Times article demonstrates how these “experts” are not random observers, but many have financial ties to war contractors and benefit financially from the slaughter. Does anyone in the news business have integrity any more?
(If you want to take action, click here.)
Ironically, the more the Pentagon PR apparatus uses deception to mask reality, the worse it gets for them because they have no check against delusional policies. As the report demonstrates, rather than acknowledge the flawed war strategy (or that it was wrong to begin wth), Rumsfeld– the grand wizard of self-deception– and his aids believed it was the media’s misrepresentation of the situation, and not what was happening on the ground, that was causing the dissent. We could say that media management has become an institutionalized form of denial that would make coke addicts blush. Sneaking and hiding is funny when it’s depicted in a Bid Lite commercial, but when it involves life, death and ultimately a threat to the foundation of democracy, then some kind of community intervention is surely require. Trouble is, how do we get these guys into a reality detox center?
Don’t forget these are the same policy makers who brought us Abu Ghraib and Guantanamo. Try to remember that historically people who use torture do so because they have no other way to change reality. Think back to the heretics who said the world was round, or that the Earth orbited the sun. Rather than concede to the simple evidence of nature’s laws, it’s more convenient to simply torture, imprison or murder those who refute you. That, or give them company stock from your friendly, local military contractor. Regardless, the Pentagon and its pliant media could surely benefit from this geography lesson: Denial ain’t a river in Egypt.
I find it strange but not surprising that peace activists who generally predicted the outcome of the war accurately (that occupying Iraq would be difficult and bloody, the invasion would certainly lead to civil war among the divergent populations leading to a wider war in the Middle East as refugees flee the fighting, and, finally, Iraq would be a magnet for extremists wanting to take the fight directly to the US) are generally absent from the debate about war. The fear of being unpatriotic has made news so cowardly that most often what you get is a plug-and-play propaganda device that the Pentagon can play like a “Mighty Wurlitzer” (CIA jargon for psychological operations). It feels too obvious to call this situation pathetic and sad, but unfortunately the net result is more senseless death and unchecked psychosis.
Thankfully, the NY Times is finally doing its job as the “fourth estate” by presenting a detailed report on how these shenanigans are perpetrated. The multimedia presentation that accompanies the article demonstrates how hybrid newspaper reporting that combines words, video and images can create a very powerful communications tool to counter the kinds of Spic and Span lies that TV news so readily dispenses with. In an ideal world, counter arguments would make their way into larger media discourse, but alas I think larger corporate media are generally immune to arguments that are outside the self-generating reality loop of power. Unless you are having the three martini lunch in downtown DC with the same group of generals, media professionals and contractors, it’s hard to get a word in edgewise. I appluad the NYTime for doing this coragous reporting, but also wonder, what took you so long? What will it take to get a bug into the institutional sheets of the broadcast networks to get them to go beyond Fox-inspired gossip journalism as was recently demonstrated by the ABC Pennsylvania debate debacle?
Ultimately, there is no propaganda on Earth that can cover up a war gone badly. Propaganda works best during the build-up of war, and when war is executed successfully in a climate of fear and paranoia. Would the U.S. public have the same critical attitude about the war in Iraq if American soldier were not killed on a daily basis or if the military could control the situation on the ground? Consider the legacy of Granada and Panama. Who among the general populace opposes those actions?
When Siegried Kracauer was commissioned in 1945 by the U.S. government to survey Nazi newsreels he concluded that one characteristic that separated fascist and democratic propaganda was a complete disregard for truth. Democracies, he argued, have to tell a “good story” and “refer to the truth even if they defy it.” In Germany, on the other hand, “where all powers are actually monopolized by the Nazi rulers and their allies in the sphere of great business, truth has lost any authority of its own; for the sole concern is to maintain and extend their monopoly through appropriate propaganda that unhesitatingly confuses truth and untruth to these ends. Thus truth is put in the same position as untruth: it becomes a pure means, it is no longer recognized as truth.” Something to consider, especially in an era when fake news is real, and real news is fake.
Anthropologist and psychologist Gregory Bateson argued that deceptions behind the negotiating of the Treaty of Versailles set in motion World War II. His point is that communications are cybernetic: they exist in a feedback system, and lying always comes back to haunt the liar. There is no running from hypocrisy. After 9-11 the U.S. government had an opportunity to tell a good story, but instead used fear to justify a war with dubious intentions. Over time propaganda cannot hide murder, torture, or illegality, especially when a global society is increasingly transparent. After all, who could have anticipated that one could view Al Jazeera at a falafel stand in Brooklyn? Or that a vibrant blogosphere is increasingly becoming non-Westernized? These are just a few examples shattering hierarchal notions of the flow of communications and ideas.
Another thing we often forget when discussing propaganda is that it is not simply a situation of the producer inserting information into the minds of innocent subjects. Not only do the receivers of information have agency and an ability to contextualize and form their own opinions, but propaganda makers are also susceptible to their own deceptions. Kracauer’s analysis should serve as a cautionary tale that spin for power’s sake has a self-destructive logic: nice (or scary) metaphors are no substitute for competence or morality. You can’t tell a good story if it’s based on fallacy and fantasy. That should only happen in Hollywood. And when it comes to war, no special effects can solve political or social conflict. It requires human intelligence, negotiation, and a commitment to peace. A social structure predicated on war generates perpetual war. It is poisonous.
We as a culture should realize that in a global feedback system that inserting more violence and death into the circuit of civilization is ultimately nihilistic. I have a sense that this is not the definitive path of humanity, and that in the end we’ll reject once and for all the deceptions and lies that have driven us towards the brink of oblivion. It remains my belief that education based on the principle of self-empowerment, sustainability and nonviolence is a critical anecdote to the situation that confronts us at this historical juncture. Contrary to the Neocon axiom that Empire defines reality, I believe wholeheartedly that it is everyday humans that shape the world, and in the great drama of known history, they have always rejected empires and petty tyrants regardless of the technology and communications systems they deploy.
The good news is that young people are watching less TV. I hope new media completely compost and destroy the “news.” Otherwise there will be little else to stop the grand denial, self-deception machine that it has become.
Here’s a chilling excerpt from the article (you may need to register to view it)…
Behind TV Analysts, Pentagon’s Hidden Hand - New York Times:
In the summer of 2005, the Bush administration confronted a fresh wave of criticism over Guantánamo Bay. The detention center had just been branded “the gulag of our times” by Amnesty International, there were new allegations of abuse from United Nations human rights experts and calls were mounting for its closure.
The administration’s communications experts responded swiftly. Early one Friday morning, they put a group of retired military officers on one of the jets normally used by Vice President Dick Cheney and flew them to Cuba for a carefully orchestrated tour of Guantánamo.
To the public, these men are members of a familiar fraternity, presented tens of thousands of times on television and radio as “military analysts” whose long service has equipped them to give authoritative and unfettered judgments about the most pressing issues of the post-Sept. 11 world.
Hidden behind that appearance of objectivity, though, is a Pentagon information apparatus that has used those analysts in a campaign to generate favorable news coverage of the administration’s wartime performance, an examination by The New York Times has found.
Some Iraqi War vets staged mock raids in Chicago based on patrols they performed in Iraq. It’s in interesting guerrilla theater tactic to get people to switch mental gears. Frankly, it scared the crap out of me.
PS As I was thinking about the action depicted in the video, it occurred to me that post-9-11 doing guerrilla theater is so much more dangerous. Essentially the security industry is outsourcing to uneducated people to detect out-of-the-ordinary events that defy patterns of “normal” behavior. Additionally, there is a rattled and scared citizenry who are so nervous that even a chap reciting the lyrics of a Clash song becomes a threat. People are grasping so tightly to the shreds of reality that bind them to the old world that disturbances and disruptions can send them over the edge. For this reason I think the video scared me. I was worried about the “performers” being misconstrued and misinterpreted because at this point terrorism has been reduced to spectacle and theater, and under those conditions, the security apparatus can decide that performance of any kind is now suspicious activity, in the same way that England is starting to criminalize photography. Is it possible that in the near future, if the current trajectory continues, that any art outside the establish commodities market will be construed as subversive?
More evidence of the obscene reality we’re in. I truly hope the Democrats have something better to offer.
I’m cribbing notes from Rising Voice’s David Sasaki who wrote an excellent roundup of how the Web is a tool for Kenyan activists to document the current crisis.
Ushahidi is an organization that is combining SMS alerts of Kenyan violence with google maps that gives a timeline of civil incidents but also a way to map the state of the conflict in real time. You can view the timeline here.
And here a post of the potential of twitter in Africa.
These videos are certainly sensational and have the right intention at heart, which is to make more concrete the horrors of industrialized state violence and the holocaust. Yet there is something that strikes me as a bit off about the scenarios in these videos. It gives the impression that there is something random, sudden and unexpected about genocide, yet the reality is that it is often based on observable patterns against targeted populations. Usually this is not something out of the blue, but well planned with at least some sense of who the victims might be. Is this a warning about the future, or a threat to remember the past? Keep in mind that such a reality was indeed perpetrated by the US government against Native Americans, so if you want a cogent and tangible example of the threat of this kind of reality to “us,” go to the Rez and talk to a few elders.
In spirit, though, it would be good for us to remember that people on both sides of the conflict have brothers, wives, sons and daughters and domestic lives that would appear “normal.” Somehow, somewhere, though, there are numerous technocrats, strategists and military planners who remain disconnected from the reality that they foresee for others, playing with humanity like some kind of toy to test theories and to justify belief. Supporting them are numerous systems of economics and politics we consider rational. One hopes that our collective intelligence is smarter than them, and the scenarios played out in these MTV videos will remain in the realm of fantasy.
Technorati Tags: MTV, holocaust
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I just completed my first Slidecast, which is a combination of a PowerPoint with narrated audio. It’s about eight minutes long dealing with the theme of propaganda, war photos, film and popular culture. I hope you like it. More to come!
Is anybody really shocked? At least the evidence is in. Now use it.
Iraq: The War Card - The CIraq: The War Card - The Center for Public Integrity:
President George W. Bush and seven of his administration’s top officials, including Vice President Dick Cheney, National Security Adviser Condoleezza Rice, and Defense Secretary Donald Rumsfeld, made at least 935 false statements in the two years following September 11, 2001, about the national security threat posed by Saddam Hussein’s Iraq. Nearly five years after the U.S. invasion of Iraq, an exhaustive examination of the record shows that the statements were part of an orchestrated campaign that effectively galvanized public opinion and, in the process, led the nation to war under decidedly false pretenses.
On at least 532 separate occasions (in speeches, briefings, interviews, testimony, and the like), Bush and these three key officials, along with Secretary of State Colin Powell, Deputy Defense Secretary Paul Wolfowitz, and White House press secretaries Ari Fleischer and Scott McClellan, stated unequivocally that Iraq had weapons of mass destruction (or was trying to produce or obtain them), links to Al Qaeda, or both. This concerted effort was the underpinning of the Bush administration’s case for war.
Technorati Tags: Center for Public Integrity
Peter Kuper
NoZone
This is Not a Comic
2004
Silkscreen
Is it possible that there are artists for war? Unlikely. The above image is one of 60 works featured in the Artists Against The War show sponsored by the Society of Illustrators. Wish I could be there, but the site previews the work.
Technorati Tags: Peter Kuper, Society of Illustrators
You can read my latest column on war, pictures and propaganda at Understand Media. Link follows.
Understand Media -> Articles -> War Pictures by Antonio Lopez:
Regardless of your opinions about the reasons for going to war in Iraq, the Bush Administration has relied heavily on media management and imagery to justify and promote its cause. Whether it is Secretary of Sate Colin Powell using a multimedia presentation at the United Nations Security Council to cajole a resolution to support military action before the war, or the now infamous publicity stunt orchestrated by the White House in which President Bush landed on the aircraft carrier donning a flight suit, framed by a large banner, “Mission Accomplished.”
Add to that the use of imbedded reporters and the vigorous attempt by the Pentagon to prevent photos of dead soldiers and flag draped coffins from appearing in the media furthers the resolve that images of the war would be tightly managed by the government. It’s no wonder than that historians of the future might regard the unraveling of domestic support of the war as coming from images in the media.
As they say, live by the sword, die by the sword.